Essentials of PoetryHoughton Mifflin, 1912 - 282 pages |
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abundant actual aginative appears Aristotle artistic balance of qualities beauty Burns Burns's Byron called characteristic classical clear Coleridge conception contrast criticism degree discussion dominant Duchess of Malfi effect eighteenth century elements of poetry emotion Essay on Criticism essential example exhibits expression external eyes faculties feeling George Crabbe history of poetry human nature humor ical ideal illustrate images imaginative element imitation instance intensity irony Jolly Beggars Keats Kubla Khan Laurence Sterne less literary literature lyric Lyrical Ballads masterpiece medieval ment merely method Molière mood neo-classical neo-classicism o'er observation passages passion period phrase picture poem poet's poetic Pope predominance present produced purely reader realistic reason regarded Renascence result return to nature romantic poets Romanticism roused satire scene sense of fact sentiment sentimentalist Shelley soul spirit stanzas tendency things thou tion truth verse vision vivid word Wordsworth writer
Popular passages
Page 23 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Page 123 - Damn with faint praise, assent with civil leer, And, without sneering, teach the rest to sneer; Willing to wound and yet afraid to strike, Just hint a fault and hesitate dislike...
Page 80 - Wordsworth, on the other hand, was to propose to himself as his object, to give the charm of novelty to things of every day, and to excite a feeling. analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us...
Page 82 - Among the farthest Hebrides. Will no one tell me what she sings ? Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago : Or is it some more humble lay, Familiar matter of to-day ? Some natural sorrow, loss, or pain, That has been, and may be again ? Whate'er the theme, the maiden sang As if her song could have no ending...
Page 143 - Nor rural sights alone, but rural sounds, Exhilarate the spirit, and restore The tone of languid Nature. Mighty winds, That sweep the skirt of some far-spreading wood Of ancient growth, make music not unlike The dash of ocean on his winding shore...
Page 181 - Brimming, and bright, and large : then sands begin To hem his watery march, and dam his streams, And split his currents ; that for many a league The shorn and...
Page 259 - If I may trust the flattering truth of sleep, 'My dreams presage some joyful news at hand : My bosom's lord sits lightly in his throne ; And all this day an unaccustom'd spirit Lifts me above the ground with cheerful thoughts.
Page 123 - Like Cato, give his little senate laws, And sit attentive to his own applause; While wits and Templars every sentence raise, And wonder with a foolish face of praise — Who but must laugh, if such a man there be? Who would not weep, if Atticus were he? What though my name stood rubric on the walls, Or plaster'd posts, with claps, in capitals? Or smoking forth, a hundred hawkers...
Page 185 - St. Agnes' Eve — Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limped trembling through the frozen grass, And silent was the flock in woolly fold...
Page 262 - Nor public flame, nor private, dares to shine; Nor human spark is left, nor glimpse divine! Lo! thy dread empire. CHAOS! is restored; Light dies before thy uncreating word: Thy hand, great anarch! lets the curtain fall, And universal darkness buries all.