 | Jonathan Swift - 1705 - 342 pages
...and Discoveries, that in the infide they are good for nothing. The two Senfes, to which all Objects firft addrefs themfelves, are the Sight and the Touch;...by Art upon the Outward of Bodies; and then comes Reafbn officioufly, with Tools for cutting, and opening, and mangling, and piercing, offering to demonftrate,... | |
 | Jonathan Swift - 1710 - 402 pages
...are £he Sight and the Touch ; Thefe never examine araine farther than the Colour, t lie Shape, die Size, and whatever other Qualities dwell, or are drawn by Art upon the Out-: ward of Bodies ; and then comes Rcaibn officioully, with Tools for cutting, and opening, and... | |
 | Jonathan Swift - 1755 - 514 pages
...themfelves, are the fight and the touch ; thefe never examine farther than the colour, the fhape, the fize, and whatever other qualities dwell, or are drawn by art upon the outward of bodies ; and then comes reafbn officioufly with tools for cutting, and opening, and mangling, and piercing, offering to demonftrate,... | |
 | Jonathan Swift - 1768 - 500 pages
...themfelves, are the fight and the touch ; thefe never examine farther than the colour, the flupe, the fize, and whatever other qualities dwell, or are drawn by...upon the outward of bodies ; and then comes reafon officioully with tools for cutting, and opening, and mangling, and piercing, offering to dcmonftrate,... | |
 | Jonathan Swift - 1774 - 376 pages
...themfelvcs, are the fight and the touch. Thefe never examine farther than the colour, the fhape, the fize, and whatever other qualities dwell, or are drawn by art upon the outward of bodies ; and then comes rea* foil officioufly with tools for cutting, and opening, and mangling, and piercing, 'offering to... | |
 | John Walter - 1785 - 258 pages
...themftlves, are the fight and the touch; thefe never examine farther than the colour, the fhape> the fize, and whatever other qualities dwell, or are drawn by art upon the outward bodies ; and then comes reafon officioufty with tools for cutting and opening, and mangling, and piercing,... | |
 | Jonathan Swift - 1801 - 488 pages
...nothing. The two senses, to which all objects first address themselves, are the sight and the touch; these never examine farther than the colour, the shape,...other qualities dwell, or are drawn by art upon the rutward of bodies; and then comes reason officiously with tools for cutting, and opening, ing, and... | |
 | Jonathan Swift - 1801 - 498 pages
...nothing. The two senses, to which all objects first address themselves, are the sight and the touch; these never examine farther than the colour, the shape,...other qualities dwell, or are drawn by art upon the cutward of bodies ; and then comes reason officiously with tools for cutting, and opening, ing, and... | |
 | Jonathan Swift - 1803 - 346 pages
...The two senses, to which all objects first address themselves, are the sight and the touch ; these never examine farther than the colour, the shape,...qualities dwell, or are drawn by art upon the outward of bodfts 3 and then comes reason officiously with tools for cutting, and opening, and mangling, and piercing,... | |
 | Jonathan Swift, William Wotton - 1811 - 390 pages
...nothing. The two senses to which all objects first address themselves, are the sight and the touch. These never examine farther than the colour, the shape,...by art upon the outward of bodies; and then comes reason officiously with tools for cutting, and opening, and mangling, and piercing, offering to demonstrate,... | |
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The two senses to which all objects first address themselves are the sight and the touch. These never examine farther than the colour, the shape, the size, and whatever other qualities dwell, or are drawn by art upon the outward of bodies... 
