Examples. "Who can number the clouds in wisdom? or who can stay the bottles of heaven? Who hath measured the waters in the hollow of his hand, and meted out heaven with the span, and comprehended the dust of the earth in a measure, and weighed the mountains in scales and the hills in a balance ?" "As some tall cliff, that lifts its awful form, Swells from the vale, and midway leaves the storm, Break, break, break, On thy cold gray stones, O Sea! Oh, well for the fisherman's boy That he shouts with his sister at play! Oh, well for the sailor lad That he sings in his boat on the bay! And the stately ships go on To their haven under the hill; But O for the touch of a vanished hand, Break, break, break, At the foot of thy crags, O Sea! But the tender grace of a day that is dead -Tennyson. 669 'Tis midnight's holy hour: and silence now Is brooding like a gentle spirit o'er The still and pulseless world. Hark! on the winds 66 "Silence how dead, and darkness how profound! The glooms of night brood o'er a slumb'ring world." Night gathers slowly around me-the long night of darkness and death. Within mine eye the light of life is fading, as the day is slowly melting from the darkening sky." "Slowly and sadly we laid him down, From the field of his fame fresh and gory; "The boast of heraldry, the pomp of power, The paths of glory lead but to the grave." INFLECTION. Inflection in voice indicates each passing thought. Rising Inflection. The Rising Inflection is the rare exception, and excites doubt and incredulity. It also defers to the hearer. Examples. None could run so fast as he could; As this marvellous story-teller. -Hiawatha. "It is vastly easy for you, Mistress Dial, who have always, as everybody knows, set yourself up above me,—it is vastly easy for you, I say, to accuse other people of laziness." Hamlet. Look you, how cheerfully my mother looks, and my father died within these two hours. Ophelia. Nay, 't is twice two months, my lord. Hamlet. So long? have a suit of sables. forgotten yet? Nay, then, let the devil wear black, for I'll -Hamlet. Look upon my boy? What mean you? Look upon my boy as though I guessed it,— Guessed the trial you'd have me make? "You come to teach the people?" -Knowles. "Hast thou entered into the treasures of the snow? or hast thou seen the treasures of the hail? Canst thou bind the sweet influences of Pleiades, or loose the bands of Orion? Canst thou bring forth Mazzaroth in his season? or canst thou guide Arcturus with his sons?" "Hear him, my lord; he's wondrous condescending! "Indeed! he is your friend, is he? What! has he assured you that he is my friend?" "We!-what page in the last court grammar made you a plural?” "All this? Ay, more. Fret till your proud heart break: Go show your slaves how choleric you are, And make your bondmen tremble. Must I budge? Must I observe you? Must I stand and crouch Under your testy humor?" Falling Inflection. The Falling Inflection is the rule, and carries conviction and pathos. Examples. "One more unfortunate, Gone to her death. " O that this too, too solid flesh would melt, Or that the Everlasting had not fixed His canon 'gainst self-slaughter! O God! O God! Seem to me all the uses of this world! Fie on 't! oh, fie! 'T is an unweeded garden “When in the silent night all earth lies hushed "Hush! lightly tread! still tranquilly she sleeps ; I've watched, suspending e'en my breath, in fear To break the heavenly spell. Move silently." "Go stand upon the heights at Niagara, and listen in awe-struck silence to that boldest, most earnest and eloquent, of all Nature's orators! And what is Niagara, with its plunging waters and its mighty roar, but the oracle of God, the whisper of His voice who is revealed in the Bible as sitting above the water-floods forever?" "The drums are all muffled; the bugles are still; "The curfew tolls the knell of parting day; The lowing herds wind slowly o'er the lea; "Forever and forever, all in a blessed home, you And there to wait a little while, till and Effie come,- Monotone. Monotone occurs in those parts of a subject where several words follow each other without requiring any variation. of tone. It should be read or spoken with unvarying sameness. Very low pitch and slow time. Examples. As autumn's dark storms pour from two echoing hills. so toward each other approached the heroes. Steel clanging sounded on steel. Helmets are cleft on high; blood bursts and smokes around. As the troubled noise of the ocean when roll the waves on high; as the last peal of the thunder of heaven,—such is the noise of battle. -Ossian. |