Poets of Sensibility and the SublimeHarold Bloom Chelsea House Publishers, 1986 - 324 pages A collection of critical essays on English poetry during the Age of Sensibility and the Sublime, the half-century between the death of Alexander Pope in 1744 and the death of Robert Burns in 1796. |
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Page 28
... course , the appearance of the right and left horsemen , whose intrusion is so easy because in a sense they have been there all along . They are clearly the good and evil genii ; and we see how externally , even superficially , the ...
... course , the appearance of the right and left horsemen , whose intrusion is so easy because in a sense they have been there all along . They are clearly the good and evil genii ; and we see how externally , even superficially , the ...
Page 110
... course of the ode has prepared and pared the self - portrait , but the self - portrait also rewrites the course of the ode : each former crux reappears , measured this time according to its place in abstract autobiography , and then ...
... course of the ode has prepared and pared the self - portrait , but the self - portrait also rewrites the course of the ode : each former crux reappears , measured this time according to its place in abstract autobiography , and then ...
Page 162
... course , no possibility of such elemental disturbance in Milton's Paradise , but with the Fall there is a drastic change in clime : At that tasted Fruit The Sun , as from Thyéstean Banquet , turn'd His course intended , else how had the ...
... course , no possibility of such elemental disturbance in Milton's Paradise , but with the Fall there is a drastic change in clime : At that tasted Fruit The Sun , as from Thyéstean Banquet , turn'd His course intended , else how had the ...
Contents
False Themes and Gentle Minds | 19 |
Pictures and Powers | 31 |
Implications for Poetic Practice | 49 |
Copyright | |
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Common terms and phrases
Addison Ælla Ælla's aesthetic age of sensibility antistrophe anxiety appears Bard beauty becomes begins Birtha Blake Blake's Burns's called Celmonde Celmonde's Chatterton Christopher Smart Collins Collins's Ode Cowper critics daemonic darkness death diction divine effect eighteenth-century Elegy emotional English essay expression Fancy feeling figure Freud Gray Gray's odes Harold Bloom human hymns Il Penseroso imagery imagination John kind landscape language lines literary Longinus lyric metaphor Milton mind moral Muse myth nature Northrop Frye o'er Ode to Fear originally entitled Ossian Othello Paradise passage passions Patricia Meyer Spacks Penseroso perception personification Pindar poem poet poet's poetical character poetry present Progress Robert Burns Romance scene seems sense Smart song soul speaker spirit stanza Steven Knapp sublime suggests thee theme Thomas Thomas Gray Thomson thou tradition transcendent trope turn verse vision voice Weiskel William William Blake William Cowper words Wordsworth writing Young