From Harlem to Paris: Black American Writers in France, 1840-1980University of Illinois Press, 1991 - 358 pages This academic study uses accounts from more than 60 African American writers--Countee Cullen, James Baldwin, Chester Himes et al.--to explain why they were more readily accepted socially in Paris than in America. Fabre (The Unfinished Quest of Richard Wright) shows that French/black American affinity started in pre-Civil War New Orleans (and not, as the title suggests, in Harlem), when illegitimate mulattos with inheritances from French slave-owners sent their children to Paris to be educated. The book concludes that acceptance and appreciation of black Americans were based largely of French distaste both for white Americans, whom the French found egotistical, and for black Africans, with whom the French had a bitter "mutual colonial history." |
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Page vii
... and Melvin Dixon : Change of Territory 298 20 Ted Joans : " The Surrealist Griot " 308 21 James Emanuel : A Poet in Exile 324 Conclusion 337 Bibliography 345 Index 349 Preface The extended genesis of this book needs more than.
... and Melvin Dixon : Change of Territory 298 20 Ted Joans : " The Surrealist Griot " 308 21 James Emanuel : A Poet in Exile 324 Conclusion 337 Bibliography 345 Index 349 Preface The extended genesis of this book needs more than.
Page ix
... Joans . Consequently , when , in early 1972 , I was invited to give a seminar at the University of Iowa and could travel around the United States , I launched into research for this project , interviewing writers like Arna Bontemps and ...
... Joans . Consequently , when , in early 1972 , I was invited to give a seminar at the University of Iowa and could travel around the United States , I launched into research for this project , interviewing writers like Arna Bontemps and ...
Page xi
... Joans , made remarks upon , and corrections to , the passages concerning them . Among the scores of people to whom I am indebted , I wish to thank particularly the following writers , scholars , colleagues , stu- dents , friends , and ...
... Joans , made remarks upon , and corrections to , the passages concerning them . Among the scores of people to whom I am indebted , I wish to thank particularly the following writers , scholars , colleagues , stu- dents , friends , and ...
Page xii
... Joans , Claude Julien , Ernest Jones , LeRoi Jones , William Melvin Kelley , Keneth Kinnamon , Rayford Logan , Mrs. R. H. Laskell , Richard Long , Clarence Major , Yves and Yvonne Malartic , Claire and Edward Margolies , Camille Maran ...
... Joans , Claude Julien , Ernest Jones , LeRoi Jones , William Melvin Kelley , Keneth Kinnamon , Rayford Logan , Mrs. R. H. Laskell , Richard Long , Clarence Major , Yves and Yvonne Malartic , Claire and Edward Margolies , Camille Maran ...
Page 7
... Joans and Hart LeRoy Bibbs lived there , mixing with the groups of beatniks in the Latin Quarter , while others , like James Emanuel , stayed in the provinces away from the crowds . Many novelists also stayed in Paris for a time ...
... Joans and Hart LeRoy Bibbs lived there , mixing with the groups of beatniks in the Latin Quarter , while others , like James Emanuel , stayed in the provinces away from the crowds . Many novelists also stayed in Paris for a time ...
Contents
The New Orleans Connection | 9 |
Early Visitors Preachers and Abolitionists | 22 |
After Emancipation The Talented Tenth in Paris | 31 |
W E B Du Bois and World War I | 46 |
Langston Hughes and Alain Locke Jazz in Montmartre and African Art | 63 |
Countee Cullen The Greatest Francophile | 76 |
Claude McKay and the Two Faces of France | 92 |
Jessie Fauset and Gwendolyn Bennett | 114 |
Chester Himess Ambivalent Triumph | 215 |
William Gardner Smith An Eternal Foreigner | 238 |
Literary Coming of Age in Paris | 257 |
A New Mood Black Power in Paris | 269 |
Visitors All or Nearly | 285 |
William Melvin Kelley and Melvin Dixon Change of Territory | 298 |
Ted Joans The Surrealist Griot | 308 |
James Emanuel A Poet in Exile | 324 |
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Common terms and phrases
acquaintances African Afro-American Alain Locke Algerian Ameri American Negro artists attended autobiography Banjo beautiful become black American black American writers Bois Boulevard café Césaire Chester Himes civil Claude McKay colonial colored Countee Cullen culture Dixon enjoyed Europe European exile expatriates Fauset feel felt France French French-speaking friends girl Harlem hereafter cited Hotel inspired intellectual James Baldwin jazz Jean July Langston Hughes later Latin Quarter Léopold Senghor literary live magazine Maran Marseilles McKay's Melvin musicians negritude never Noir novel novelist painter Paris Parisian play poems poet poetry political Press published race racial racism Richard Wright Riviera Séjour Senghor Smith soldiers stay story streets summer surrealist Ted Joans tion took Toomer tourists translated trip United University visitors W. E. B. Du Bois wanted white American William William Gardner Smith wrote Yale York