MATTHEW PRIOR. 1664-1721. BE E to her virtues very kind; An English Padlock. Be to her merits kind, Prologue to the Royal Mischief. Solomon on the Vanity of the World. Part ii. Now fitted the halter, now traversed the cart, And often took leave; but was loth to depart. The Thief and the Cordelier. Of two evils I have chose the least. Imitation of Horace. Here lies what once was Matthew Prior ;+ Epitaph on Himself. Odds life! must one swear to the truth of a song? A Better Answer. That, if weak women went astray, Hans Carvel. * Of two evils the less is always to be chosen.-THOMAS A KEMPIS. Imitation of Christ. Book iii. Ch. 12. † The following epitaph was written long before the time of Prior : Johnnie Carnegie lais heer, Descendit of Adam and Eve, Ise willing give him leve. The end must justify the means. Hans Carzel. And virtue is her own reward. Ode in Imitation of Horace. B. üi. Od. 2. That air and harmony of shape express, Fine by degrees, and beautifully less.* Henry and Enıma. Our hopes, like tow'ring falcons, aim At objects in an airy height; To the Hon. Charles Montague. 0 JOSEPH ADDISON. 1672-1719. . CATO. THE And heavily in clouds brings on the day, Act i. Sc. I. Thy steady temper, Portius, Act i. Sc. 1. 'Tis not in mortals to command success, Act i. Sc. 2. * Fine by defect and delicately weak.-- Pope, p. 183. Blesses his stars and thinks it luxury. Act i. Sc. 4. 'Tis pride, rank pride, and haughtiness of soul ; I think the Romans call it stoicism. Act i. Sc. 4. Were you with these, my prince, you'd soon forget The pale, unripened beauties of the North. Act i. Sc. 4. The virtuous Marcia towers above her sex. Act i. Sc. 4. My voice is still for war. Act ii. Sc. i. A day, an hour, of virtuous liberty Act ii. Sc. I. The woman that deliberates is lost. Act iv. Sc. 1. When vice prevails, and impious men bear sway, Act iv. Sc. 2. It must be so. — Plato, thou reasonest well. Act v. Sc. I. 'T is the divinity that stirs within us; Act v. Sc. I. I'm weary of conjectures. Act v. Sc. I. My death and life, My bane and antidote, are both before me. Act v. Sc. a. The soul secured in her existence, smiles Act v. Sc. I. The wreck of matter, and the crush of worlds. Act v. Sc. I. And, pleased the Almighty's orders to perform, Rides in the whirlwind and directs the storm.* The Campaign. Line 291. For wheresoe'er I turn my ravished eyes, Gay gilded scenes and shining prospects rise, Poetic fields encompass me around, And still I seem to tread on classic ground. A Letter from Italy. The spacious firmament on high, With all the blue ethereal sky, And spangled heavens, a shining frame, Their great Original proclaim. Ode. Soon as the evening shades prevail, Ibid. For ever singing, as they shine, Ibid. * Frequently ascribed to Pope. Dunciad. Book iïi. Line 264. + Malone states that this was the first time the phrase, classic ground, since so common, was ever used. THE aspiring youth that fired the Ephesian dome, , Outlives in fame the pious fool that raised it. Richard III. Altered Act iii. Sc. 1. Now by St. Paul the work goes bravely on. Act iii. Sc. 1. I've lately had two spiders Act iv. Sc. 3. * l'io. I pity you. SHAKSPERE. Twelfth Night Act iii. Sc. I. SENECA. Hercules Furens. Act i. Sc. I. |