to angling excursions, wisely quitting the oven's neighbourhood for a cooler and fresher atmosphere. A change of occupation now took place. He went to a writer's office, and was apprenticed to the study of law. The connection of this with the hooking and catching of trouts is more apparent than with baking work, and a skilful angler ought to be a successful lawyer. Confinement, however, within a law office and environment by parchments and heaps of "cases could not be pleasant to a youth who had begun to look with a poet's eye and sympathy upon the beauty and magnificence of the external world. He yearned for a deliverance, and certainly he achieved it, for he crossed the broad Atlantic and reached America. There he remained for two years, his mind receiving a development, training, and stimulus which it could not have gotten anywhere else within a far longer period. His intellect, imagination, and humour rapidly ripened, and for their exercise he had acquired a cool self-possession which Yankeedom alone can give. He returned to Cupar-Fife: the stripling had, mentally as well as physically, become a man in the prime of all his capacities and energies. Mr Wood's earliest poetic attempts were marked by nothing immature or juvenile in imagination and humour, or in the power of giving these a melodious expression, but were defective in taste and judgment. He was prone to satire, and employed it, not only against the folly and wickedness of mankind at large, but against the whims or presumption of a neighbour. Burns, indeed, too frequently distinguished himself by satirizing private persons who had displeased or slighted him; but even his example should not encourage poets to inflict such vengeance upon the trivial and passing offences of a neighbour. Mr Wood's first elaborate poem bore a title which might have a thousand meanings The Serpent Round the Soul;" and when the poem has been read the title is felt to be alike arbitrary and inappropri ate. There is, indeed, a "serpent" in the piece, even "that old serpent, the Devil," but he can scarcely be said to be even around or within the "soul" of the hero; yet genuine poetry breaks out in every page with a shining train of ideas and sentiments. There is not a little of exquisite pathos, and the occasional humour would have been felicitous and successful if it had not in the piece been entirely misplaced. "Ceres A subsequent poem by Mr Wood on Races" gives a much wider and freer scope to his faculty of humour. The amusements of a village can be far more adequately represented than those of a city, whether the sketcher be a poet or a painter. There is the "Pitlessie Fair" by Wilkie, and "Anster Fair" by Tennant, but who has, in words or colours, by pen or by brush, attempted to represent a fair held in London, in Edinburgh, or in Glasgow? Mr Wood gives a graphic and richly-comical representation of the various competitors and their respective bands of supporters, as well as of leading characters among the onlooking throngs. Unlike the folk o' croodit slums, Wha cram their bairns wi' sugar-plums Wha canna even eat a juck, But twa-three cook-heads maun be rackit, Spoiling baith appetites and sowls, Filling the earth wi' deein'-like owls, Thin-shankit, white-skinned scraichs o' day, Wha pass in idleness away, Yea, yea! the Ceres breed is hale, For health and strength are in their kail, Pork, Cabbage, Leeks, an' grawnd Blue-dons, Their Beer and Whusky frae the Stell, Ilk Fayther there a noble Laird, When comes the hirpling, friendless day. The poem, as a whole, lacks the coherence, regularity, and polish of Tennant's "Anster Fair," but it is incomparably more powerful and vivid. Mr Wood is yet in his most productive years. We give the following from a large volume of MS. poems: MY JOE JANET. Tyndal for your courtesie Draw in aboot your chair, Sir, Redd the fire an' tell to me, Wha made the worlds an' mair, Sir. Those wondrous worlds through space that sail, Tyndal, lad, ye maun explain, Your doctrine's far frae clear, Sir, What ken I o' hail or rain, But that God sends them here, Sir.- Which cooled and drew in dads thegither, Then, Tyndal, tell me, gin you please, We see the shrubs an' muckle trees, Dear me the laws the wide world o'er, That grow them noo could do't before, Then is oor Bible a' a lee, Got up by Kings an' Priests, Sir, And do we, honest bodies, dee, Juist like the very beasts, Sir?— Weel, nae, sae far as can be seen, Ye'll juist gang back to what ye've been, But whence the first heat gin ye ken, There's forces that we cannot see, Then where did seeds o' trees come frae, An' the first wee bairnie's mither, Sir? Janet, Janet, As lads to lasses loup the dyke, Ah! Tyndal, tak' a thocht an' mend, In case that at your latter end, An' gin some Power my life prolong, THE CAGED BIRD. When spring in all its glory comes I yield my sweetest lay, That some kind Power might burst my bars And let me fly away For God now calls me to the grove, The sweet days to prolong; Yet my dull Jailor ever deems In fancy oft I join the choir, That flits among the trees,--- The moss-grown rocks, the huge old trees Our tender offspring stretch their necks Which makes me struggle in my cell, Yet while I dash against the bars, Once more I see the lively brood, Thus in my solitary cell I fret away the hours, For vain man thinks for him alone, And when my last sweet song is sung THE WANDERER. The bards of Nature cease their songs, A world is sleeping o'er the wrongs Dash on thou nursling of the hills, Who wanders by thy lonely stream The vile Seducer came,-she fell,- But do not think she would compel O'er stranger-vales she wends her way, While ah! the red-robed king of day And bids her weep and tell her tale, Where friendship shields the northern gale. Borne like a withered autumn leaf On every blast that blows; The poor wretch wanders for relief To where the torrent flows, And where the stars of gentle beam, Bend down and kiss the babbling stream. |