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CONTENTS.

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THE TRANSITION PERIOD.

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II.-The Song of Roland. Influence of the Normans upon the
Development of the French National Epos. Spirit of the

CONTENTS.

Song of Roland. Metre and Style. Further Development
of the Epic under the Influence of the Crusades. Activity
of the Fongleurs. Materials of the Chanson de geste. The
Charlemagne. Science and Literature in Anglo-Norman
England. Relations with France. Lanfranc. Anselm.
Ascetic and Devotional Writings. Lives of Saints. Ailred
of Rievaux. Mathematics and Natural History. Athelard
of Bath. Latin Poetry. Godfrey of Winchester. Regi-
nald of Canterbury. Laurence of Durham. Historical
Writing. Norman Historiographers. History among the
Anglo-Norman Clergy. Eadmer of Canterbury. Ordericus
Vitalis. Florence of Worcester and Simeon of Durham.
William of Malmesbury. Henry of Huntingdon. Geoffrey
of Monmouth. Stories of British Kings and the Arthurian
Saga. Alfred of Beverley,

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148-153

153-156

. 156-164
VIII.-Development of the French Art-epic. Foreign Mate-
rials. The Saga of Alexander. Pseudo-Callisthenes. Julius

Valerius. The Archpresbyter Leo. Alberic of Besançon.
Lambert the Crooked and Alexander of Paris. Virgil's
Eneid and its Renderers. The Troy-saga. Dares and Ďic-
tys. New Elements in Dares. Joseph of Exeter. Benoit
de Sainte More. Episode of Troilus and Briseida. Character
of Benoit. Romance of Adventure. Late Greek and By.
zantine Materials. Celtic Materials. Further Development
of the Arthurian Legend. The Graal-saga. Its Antece-
dents. The Legend of Joseph of Arimathea. Le petit saint
Le grand saint Graal. La queste del saint Graal.
Crestien de Troyes's Conte del Graal. Wolfram's Parzival.
The Tristan-saga. Form, Style, and Spirit of the Court-ro-
Crestien de Troyes. The Metrical Tale and its Va-

rieties. Cycles of Material. The Oriental Tale and the

Manner of its Circulation. The Book of the Seven Wise

Masters. The Disciplina clericalis.

Literature toward these Materials.

Lai, Fabliau, and Dit,

Attitude of French

Characteristics of the

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XI.-English Literature and Norman-French Influence. Glee-
men and Clerics. The Anglian Territories. Northeastern
Mercia. Orm. Language and Culture. The Ormulum.
Verse and Style. Orthography. East Anglia. The Bes-
tiary. The Genesis. The Exodus,

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164-18

180-187

187-193

193-198

199-205

CONTENTS.

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Ecclesiastical

ence of French and Middle Latin Poetry. New Strophic
Forms. The Love-song of Thomas de Hales,
XIV.-Poetical Sermon. Satire on all Classes.
Epic. The Vision of St. Paul.
and the Nightingale. Its Class.
Poem. Character of the Author.
Lyric,

Proverb Poetry. The Owl
Contents and Idea of the
Relation to the Religious

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205-211

211-218

218-221

225-234

234-253

III.-Romance and Tale. Form and Contents. Most An-
cient Materials of the Tale. French Art-form. English
Poetical Tales. The Fabliau of Dame Siriz. Fox and
Wolf. The Animal-saga in England. Variations of the
Fabliau. The Land of Cokaigne. Debate of the Carpen-
ter's Tools. The Lay of the Ash. Orpheus and Eurydice.
How a Merchant did his Wife Betray. The Proces of the
Sevyn Sages. Origin of the Gesta Romanorum. Signifi-
cance of the Tale in the Last Centuries of the Middle Ages, 253-264
IV.-Religious Legend Poetry. Old and New Materials. As-
sumption of the Virgin. Childhood of Jesus. Legend of
the Holy Rood. Gregorian Saga. Contes dévots. Legends

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