172. (No. 779.) "Characteristic Dialogue between Two Irish

Chieftains."

173. (No. 782.) "Design for a Cartoon; Father Mathew giving the Temperance Medal to Samuel Rogers."

174. (No. 783.) "A Visit of Condolence; or, Three Knights Companions in Misfortune."

66

175. (No. 791.) First Catch your Hare."

176. (No. 793.)

177. (No. 861.) Fleece."

178. (No. 831.) 179. (No. 802.) (No. 802.) 180. (No. 804.) Hydra."

181. (No. 845.) 182. (No. 832.)

183. (No. 809.)

184. (No. 794.)

185. (No. 798.) 186. (No. 800.) Ease of

66

'Our Hero Caught Napping at Last."

SCREEN XLVI.

"Jason, aided by Medea, carries off the Golden

"Substance and the Shadow."

The Happy Family."

"Hercules, assisted by Iolas, attacks the Indian

"Not Caught Yet."

"Two Great Pillars of the Church."
"The Flight of Daedalus and Icarus."
"The late Threatened Upset near Windsor."
"The Finding of the Infant Moses."

"A Contrast between the Cares of Office and the Opposition."

187. (No. 754.) The Modern Sampson Carrying Off the Gates of Somnauth.”

188. (No. 733.)

"The Political McAdam."

189. (No. 746.) "A Pleasant Situation."

190. (No. 759.) "New Version of the Two Kings of Brentford Smelling at One Rose."

191. (No. 771.)

"The Fate of Acteon."

192. (No. 752.) "Curious Ins and Outs; or, The Disputed

Thunder."

193. (No. 755.)

194. (No. 772.)

195. (No. 778.)

196. (No. 786.) 197. (No. 784.) 198. (No. 768.)

199. (No. 770.)

200. (No. 767.) (No. 805.)

201.

202. (No. 792.) 203. (No. 813.) 204. (No. 790.) (No. 810.) 206. (No. 801.)

205.

"Some of the Ins and Outs of this World."
"Three United States-Men."

'A Cutter for Sale."
"A Lesson in Elephant Riding."
"Angling Extraordinary."

"The Treaty between the Sheep and the Wolves."
"John Wilkes-Something between Lord Lovat.""
"The Pas de Fascination."

"Jack Cade's Insurrection."

207. (No. 833.)

208. (No. 837.)

209. (No. 815.) 210. (No. 841.)

999

Great Cry and Little Wool; or the Right of Search versus the Right of Visit."

66

211. (No. 817.) Open Locks, Whoever Knocks; Witches' scene from Macbeth,' with a new cast of characters."

212. (No. 840.)

"Mock Heroics; or a scene from 'Macbeth' dreadfully burlesqued."

213. (No. 847.) 214. (No. 835.) 215. (No. 836.) Chivalry

216. (No. 843.) 217. (No. 849.) 218. (No. 897.) 219. (No. 882.)

220. (No. 887.) in."

221. (No. 851.)

66

6.

A Scene from Vathek (Realised)."

"Two Penitents Kneeling at the same Shrine."
"The Troubadour; or, a Flirtation between the
of Oxford and the Beauty of Young England."
A Great Actor between Tragedy and Comedy."
"The new Christmas Pantomime."
"An Old Coastguard Looking Out."
Telemachus and Mentor."

66

"Alarming Case of Indigestion; the Doctor called

"The Drill: Dismiss! As you were."

222. (No. 869.)

SCREEN XLIX.

"An Irish Faction Fight."

223. (No. 867.) "Protection; a Hen and Chickens of an extremely Game Breed; not to be found in any work on Ornithology." 224. (Nos. 858 and 859.) "New Version of John Gilpin (after Stothard)."

225. (No. 852.) "Christmas Pantomime, No. 2; Extraordinary Harlequin Leap!"

226. (No. 864.) "A Brummagem Martyrdom; or Saxon Persecution in the year 1846."

227. (No. 856.) The Trojans petition Dido for Protection." 228. (No. 879.) "Rather Sharp Practice in Diplomacy; or a (announce

(No. 872.) The Fall of Cæsar."

230. (No. 876.) "An Interesting Group: Misfortune makes us acquainted with strange Bed-fellows."

231. (No. 877.) "A Lesson in Elocution: The Professor Enforcing his Precepts by Example."

66

232. (No. 874.) Sparring; a Set-to without the Gloves by Way of Wind-up.'

233. (No. 870.) "Medea having Destroyed her Children, vanishes in a Chariot drawn by Winged Dragons."

SCREEN L.

234.

(No. 892.) "The Mask of Comus, as now being Performed at the Theatre Royal, Madrid, with amazing Success."

235. (No. 893.) "A Brummagem Don Quixote meditating his Grand Attack upon the Leading Giant."

236.

(No. 894.)
Archers."

237. (No. 896.)
238. (No. 902.)
239. (No. 901.)
240. (No. 900.)

241.

242.

243.

"Another St. Sebastian Shot at by Cruel

"The Old Donkey Turned Restive at Last."
"The Rivals; Extremes Meet."
"The Modern Deluge; after Raphael."

"A Scene from the Farce of The Critic;' a little altered."

(No. 899.) "Materials for a Strong and Adhesive Government; a Peep into the Lobby on the Occasion of a Late Division."

(No. 886.)

"The Seven Bold Swabians who sallied forth with One Spear."

"The Duke's Horse Appearing to Lord Morpeth.”

244. (No. 881.) "Perseus Flying to the Rescue of Andromeda." 245. (No. 888.) "A Fancy Ball; winding up with Sir Roger de Coverley, in Appropriate Costume.

246.

247.

66

(No. 889.) The State Waggon in Difficulties."

(No. 890.) "A Study for a Caius Marius, sitting amidst the Ruins of Carthage; rather a serious subject."

248. (No. 891.) "Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat ferries over the Elect to the Elysian Fields."

249. (No. 891.) The same subject, No. 2.

SCREEN LI

250. Portrait of Duke of Wellington, whole length, speaking in the House of Lords.

251.

Portrait of an Officer of the Blues standing by his Horse. 252. (No. 803.) "Alexander and Diogenes."

253. (No. 806.) "Bear Baiting; or, Old English Pastimes Re

vived."

254. Portrait of M. J. Sadler, M.P., whole length, standing, speaking.

255. 256.

257.

258.

66

Portrait of Sir Henry Hardinge, whole length, walking to left.
(No. 914.) Breaking Cover; a Desperate Struggle for the
Lead. Consequences of leaping short."

66

Orpheus putting Cerberus to Sleep."

(No. 915.) "The Ass and the Sick Lion."

259. (No. 917.) "New Illustration of Hudibras" (after Hogarth). 260. (No. 903.) "The Harpies Attacking the Daughters of Pan

darus (after Flaxman)."

261. "Struck Speechless-on the Point of Dissolution."

Cincinnatus Again! or, the Prophecy Fulfilled." "An Old So'ger in Marching Order."

"A Strong Case for Shortening the Hours of

265. (No. 912.) "The Sibyl presenting the Mysterious Writings to Tarquin, who, with gay audacity,' rejects the Proposed Treasure."

266. (No. 913.) "Concert Monstre; or, Musical Congress Extraordinary, after Hogarth (100 years)."

66

267. (No. 907.) The Financial Bobadil.'

SCREEN LII.

268. "Oh, you Ungrateful Man!"; George IV., a Lady, and the Duke of Wellington.

269. "A Pair of Simpletons."

270.

271.

272.

Mr. Roebuck and Sir J. Graham bowing to one another.
(No. 906.) "A Parliamentary Souvenir, No. 2."

66

(No. 900.) "A Scene from the Farce of 'The Critic'; a little altered."

273. "Penelope "; on reverse an equestrian portrait.

276. (No. 904.) "A Strong Case for Shortening the Hours of Labour."

277. Group of the Graces.

278. (No. 907.) "The Financial Bobadil."

279. A Wedding Interrupted; Sir R. Peel, O'Connell, Inglis, and Sibthorpe."

280. Venus protecting Paris, (Palmerston and Brougham).

281.

282.

Lord Sidmouth kneeling beside Lord Eldon.

An awkward squad, with D'Israeli in front.

283. (No. 621.) "A Distinguished Teetotalist, soliloquising à la Cardinal Wolsey, upon the mutability of human affairs." Hercules and the Hydra (Duke of Cumberland, Eldon, and Wellington).

284.

285.

The Duke of Wellington being carried in triumph by genii. 286. (No. 616.) "Altered circumstances of Mr. Mantalini!" 287. (No. 603.) "A Pressure from Without."

288. Portrait of George IV., driving in a chaise.

SCREEN LIII.

289. Portrait of Miss Fanny Kemble, sitting on the balcony as

Juliet.

Portrait of Duke of Wellington; returning from a review in a chaise.

295. Portrait of Lord Lyndhurst, in judicial dress; to the waist. 296. Portrait of Daniel O'Connell, M.P.; half length, left profile. 297. Portrait of Sir Robert Peel; to the knees, standing.

298 Portrait of Duke of Brunswick; riding to right.

299. Portrait of Count D'Orsay; riding to left.

Portraits of Duke of Cumberland and Prince George.

301. Portrait of Lord Denman; riding to right.

302. Portrait of Admiral Sir Edward Codringtou; riding to left.
303. Portrait of Lord Ellenborough; riding to left.
304. Portrait of Albany Fonblanque; riding to left.

SCREEN LIV.

305. Portrait of Joseph Hume, M.P., riding to right.
306. Portrait of Lord Aberdeen, riding to right.
307. Portrait of Lord Eversley, riding to right.
308. Portrait of Sir Francis Burdett, riding to right.
309. Portrait of Lord Hill, riding to left.

310. Portrait of Duke of Hamilton, riding to left.
311. Portrait of Earl Grey, riding to left.

312. Portrait of Prince Esterhazy, riding to right. 313. Portrait of Duke of Norfolk, riding to right.

314. Portrait of Lord Ellenborough, riding to left (smaller).
315. Portrait of Lord Jersey, riding to the right.

Portrait of the Grand Duke Michael of Russia, riding with
Prince Albert, the Duke of Wellington, &c.

317. Portrait of Sir Robert Peel, riding to the left.

318. Portrait of Marquis of Londonderry, riding to the right. 319. Portrait of Lord Rolle, riding to the left.

320. Portrait of Duke of Rutland, riding to the right. 321. Portrait of Mr. Pattison, M.P., riding to the left. 322. Portrait of Earl Spencer, riding to the left. 323. Portrait of Sir Frederick Trench, riding to the right. 324. Portrait of Lord John Russell, riding to the left. 325. Portrait of Lord Templetown, riding to the right. 326. Portrait of Duke of Wellington, led by "Peace." 327. Portrait of Earl of Westmorland, riding to the left. 328. Portraits of a Lady and Gentleman, riding to the right. (The Queen and Prince Albert).

On Screens 11 to 44 are exhibited Maps, Plans, and Views of London, selected from the Collection formed by the late Mr. Frederick Crace, and purchased by the Trustees.

The whole collection consists of between 5,000 and 6,000 prints and drawings, 1,108 of which are here exhibited.

A general account of the collection cannot be better given