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the same year THOMAS MAKIN, who nearly half a century before had been an usher in the school kept by the famous GEORGE KEITH, dedicated to JAMES LOGAN a Latin poem called "Encomium Pennsylvaniæ," and in the year following another, "In laudes Pennsylvania," of both of which PROUD, the historian, gives specimens and translations.

Among FRANKLIN's more intimate associates, was JAMES RALPH, a young printer, characterized by him as "ingenious, genteel in his manners, and extremely eloquent." He had been a schoolmaster in Maryland, and a clerk in Philadelphia, and now had such confidence in his literary abilities that he was disposed to abandon the pursuit of printing entirely for that of authorship. CHARLES OSBORNE, another acquaintance, endeavoured to dissuade him from attempting a literary life, assuring him that his capacities were better suited for his trade; but it was in vain, and FRANKLIN soon after assisted in a little scheme of deception, the result of which confirmed him in all the suggestions of his vanity. FRANKLIN, RALPH, OSBORNE, and JOSEPH WATSON, agreed to write verses for each other's criticism, as a means of mutual improvement; and as FRANKLIN had no inclination for the business, he was persuaded to offer as his own a piece by RALPH, who believed that OSBORNE had depreciated his talents from personal envy. The stratagem succeeded; the production was warmly applauded by OSBORNE, and RALPH enjoyed his triumph. RALPH accompanied FRANKLIN to England, and was very badly treated by him there, as FRANKLIN admits. He became a prolific author, in prose and verse. His longest poem, "Zeuma, or the Love of Liberty," was partly written in Philadelphia, and was first published in London, in 1729. A few lines from it will sufficiently display his capacities in

this way:

"Tlascala's vaunt, great ZAGNAR's martial son,
Extended on the rack, no more complains
That realms are wanting to employ his sword;
But, circled with innumerable ghosts,

Who print their keenest vengeance on his soul,
For all the wrongs, and slaughters of his reign,
Howls out repentance to the deafen'd skies,
And shakes hell's concave with continual groans."

In the following fifteen years he wrote several plays, some of which were acted at Drury Lane. Among his shorter poems were two called "Cynthia" and "Night, "and a satire in which he abused POPE, SWIFT, and GAY. This procured him the distinction of a notice in "The Dunciad,"

The poems written by FRANKLIN himself are not very poetical. The best of them is the amusing little piece entitled

"Silence, ye wolves! while RALPH to 'Cynthia' howls, And makes Night' hideous: answer him, ye owls!" His book on "The Use and Abuse of Parliaments" was much talked of, and his "History of England during this Reign of William the Third" is praised by HALLAM as "accurate and faithful," and led Fox to refer to him as "a historian of great acuteness and diligence." His last work was "The Case of Authors stated, with regard to Booksellers, the Stage, and the Public." He died on the twenty-fourth of January, 1762.

"PAPER.

"SOME wit of old-such wits of old there were —
Whose hints showed meaning, whose allusions care,
By one brave stroke to mark all human kind,
Called clear blank paper every infant mind,
Where still, as opening sense her dictates wrote,
Fair virtue put a seal, or vice a blot.

"The thought was happy, pertinent, and true;
Methinks a genius might the plan pursue.
I can you pardon my presumption?-I,
No wit, no genius, yet for once will try.
"Various the papers various wants produce —
The wants of fashion, elegance, and use;
Men are as various; and, if right I scan,
Each sort of paper represents some man.
"Pray, note the fop-half powder and half lace-
Nice as a bandbox were his dwelling-place;
He's the gilt paper, which apart you store,
And lock from vulgar hands in the scrutoire.
"Mechanics, servants, farmers, and so forth,
Are copy paper, of inferior worth;
Less prized, more useful, for your desk decreed,
Free to all pens, and prompt at every need.

"The wretch whom avarice bids to pinch and spare,
Starve, cheat, and pilfer, to enrich an heir,
Is coarse brown paper; such as pedlers choose
To wrap up wares, which better men will use.

"Take next the miser's contrast, who destroys
Health, fame and fortune, in a round of joys.
Will any paper match him? Yes, throughout,
He's a true sinking paper, past all doubt.

"The retail politician's anxious thought
Deems this side always right, and that stark naught;
He foams with censure with applause he raves-
A dupe to rumours, and a stool of knaves:
He'll want no type his weakness to proclaim,
While such a thing as fools-cap has a name.

"The hasty gentleman whose blood runs high,
Who picks a quarrel, if you step awry,
Who can't a jest, or hint, or look endure:
What is be? What? touch-paper to be sure.

"What are the poets, take them as they fall,
Good, bad, rich, poor, much read, not read at all?
Them and their works in the same class you'll find;
They are the mere waste paper of mankind.

"Observe the maiden, innocently sweet,
She's fair white paper, an unsullied sheet;
On which the happy man, whom fate ordains,
May write his name, and take her for his pains.

"One instance more, and only one, I'll bring; "Tis the great man, who scorns a little thing Whose thoughts. whose deeds, whose maxims are his own, Formed on the feelings of his heart alone: True, genuine royal paper is his breast; Of all the kinds most precious, purest, best."

The "General Magazine," published by FRANKLIN, from January to June, in 1741, contained a few original and a much larger number of selected poems, most of the latter being from the 64 Virginia Gazette." The "American Magazine, and Monthly Chronicle for the British Colonies," established by WILLIAM BRADFORD, a nephew of the first printer west of Boston, and published for twelve months, was a periodical of far higher character than FRANKLIN's, or indeed than any that had yet been attempted on the continent. the preface the editor says of his contributors,

In

"Some are grave and serious, while others are gay and facetious; some have a turn for matters of state and government, while others are led to the study of commerce, agriculture, or the mechanic arts; some indulge themselves in the belles-lettres, and in productions of art and fancy, while others are wrapt up in speculation and wholly beset on the abstruser parts of philosophy and science." The principal poetical contributors to the "American Magazine" were an anonymous writer, of Kent, in Maryland, whose name I have not been able to discover, and JOSEPH SHIPPEN, THOMAS GODFREY, NATHANIEL EVANS, FRANCIS HOPKINSON, and JOHN BEVERIDGE, the professor of ancient languages in the Philadelphia college.

The anonymous writer here mentioned was the son of an officer distinguished in the military service, in Ireland, Spain, and Flanders. In early life he had been intimate with MR. POPE, upon whose death, in 1744, he wrote a pastoral, which makes between two and three hundred lines, besides numerous learned notes. Anticipating BISHOP BERKLEY'S famous verses on the prospect of the arts in America, he says in his invocation:

"Pierian nymphs that haunt Sicilian plains,
And first inspired to sing in rural strains,
A western course has pleased you all along:
Greece, Rome, and Britain, flourish all in song.
Keep on your way, and spread a glorious fame;
Around the earth let all admire your name.
Chuse in our plains or forests soft retreats;
For here the muses boast no antient seats.
Here fertile fields, and fishy streams abound;
Nothing is wanting but poetic ground.

Bring me that pipe with which ALEXIS charm'd
The eastern world, and every bosom warm'd.
Our western climes shall henceforth own your power;
THETIS shall hear it from her wat'ry bower;
Even PHOEBUS listen as his chariot flies,
And smile propitious from his flaming skies.
"Haste, lovely nymphs! and quickly come away,
Our sylvan gods lament your long delay;
The stately oaks that dwell on Delaware,
Rear their tall heads to view you from afar;
The naiads summon all their scaly crew,
And at Henlopen anxious wait for you.

Haste, lovely nymphs! and quickly reach our shore;
Th' impatient river heeds his tides no more,
Forsakes his banks, and where he joins the main,
Heaps waves on waves to usher in your train.
"But hark! they come! the dryads crowd the shore,
The waters rise, I hear the billows roar!
Hoarse Delaware the joyful tidings brings,
And all his swans, transported, clap their wings.
Our mountains ring with all their savage host-
Thrice welcome, lovely nymphs, to India's coast!
Not more Parnassian rocks Phoebus admire,
Nor Thracian mountains ORPHEUS' tuneful lyre;
Not more sad lovers court the darkling note
Of Philomela's mournful warbling throat;
Not more the morning lark delights the swains,
Than you, sweet maids, our Pennsylvania plains!"

He had recommended to Mr. POPE the discovery of printing as a subject worthy of his genius, and when that poet died, without having made use of the suggestion, he wrote from the banks of the Delaware, in 1749, his own "Poem on the Invention of Letters," which is inscribed to Mr. RICHARDSON, "the author of 'Sir Charles Grandison,' and other works for the promotion of religion, vir

tue, and polite manners, in a corrupted age," whom
he describes as "himself the Grandison he paints:"

"These lays, ye Great! to RICHARDSON belong;
His Art and Virtues have inspired the song.
Forgive the bard-who dares transfer, from you,
A tribute to superior merit due-
Who, midst war's tumults, in flagitious times,
And regions distant from maternal climes,
Industriously obscure, to heaven resign'd,
Salutes the friend and patron of mankind."

Colonel JOSEPH SHIPPEN, who in 1759 wrote "The Glooms of Ligonier," an amatory song much in vogue for a quarter of a century, was the author of the following early recognition of the genius of BENJAMIN WEST :*

"ON SEEING A PORTRAIT OF MISS, BY MR. WEST.
"SINCE GUIDO's skilful hand, with mimic art,

Could form and animate so sweet a face,
Can nature still superior charms impart,
Or warmest fancy add a single grace?
"The enliven'd tints in due proportion rise,

Her polish'd cheeks with deep vermilion glow;
The shining moisture swells into her eyes,
And from such lips nectareous sweets must flow.
"The easy attitude, the graceful dress,

The soft expression of the perfect whole,
Both GUIDO's judgment and his skill confess,
Informing canvas with a living soul.
"How fixt, how steady, yet how bright a ray
Of modest lustre beams in every smile!
Such smiles as must resistless charms convey,
Enliven'd by a heart devoid of guile.
"Yet sure his flattering pencil's unsincere,
His fancy takes the place of bashful truth,
And warm imagination pictures here

The pride of beauty and the bloom of youth.
"Thus had I said, and thus, deluded, thought,
Had lovely STELLA still remained unseen,
Whose grace and beauty, to perfection brought,
Make every imitative art look mean."
THOMAS GODFREY, a son of the inventor of
the quadrant, was esteemed a prodigy of youthful
genius. He was a lieutenant in the expedition
against Fort Du Quesne in 1759, and on the dis-
banding of the colonial forces went to New Pro-
vidence, and afterward to North Carolina, where he
died, on the third of August, 1763, in the twenty-
seventh year of his age. His poems were published
in Philadelphia in 1765, in a quarto volume of two
hundred and thirty pages. His "Prince of Parthia"
was the first tragedy written in America. "The
Court of Fancy," which the editor of the "Ame-
rican Magazine" thought evinced "an elevated and
daring genius," is in smooth but feeble heroic verse,
and betrays very little inventive capacity. Some
of his shorter poems are more striking. The fol
lowing is from an "Ode to Wine:"

"Haste, ye mortals! leave your sorrow;
Let pleasure crown to-day- to-morrow,

*In the "American Magazine" for February, 1758, 00curs, probably, the first paragraph ever printed in commen dation of the genius of WEST. The editor says, introducing the above poem on one of his portraits:

"We are glad of this opportunity of making known to the world the name of so extraordinary a genius as Mr. WEST. He was born in Chester county in this province, and without the assistance of any master, has acquired such a delicacy and correctness of expression in his paintings, joined to such a laudable thirst of improvement, that we are persuaded, when he shall have obtained more experience and proper opportunities of viewing the productions of able masters, he will become truly eminent in his profession."

Yield to fate.

Join the universal chorusBACCHUS reigns, ever greatBACCHUS reigns, ever gloriousHark! the joyful groves rebound, Sporting breezes catch the sound, And tell to hill and dale around,

BACCHUS reigns! while far away, The busy echoes die away."

One of GODFREY's most intimate friends was NATHANIEL EVANS, a native of Philadelphia, admitted to holy orders by the Bishop of London in 1765. He died in October, 1767, in the twentysixth year of his age, and his poems, few of which had been printed in his lifetime, were soon afterward by his direction collected and published under the editorial supervision of the Reverend WILLIAM SMITH, and Miss ELIZABETH GREME, subsequently so well known as Mrs. FERGUSON. EVANS was preparing a collection of his poems for the press, and had written part of the preface, in which, after having referred to the unhappy fortunes of many men of genius, he said: "Sometimes, alas! the iron hand of death cuts them suddenly off, as their beauties are just budding into existence, and leaves but the fair promise of future excellences." These were his last words; and Doctor SMITH suggests that they were so applicable to his case that he should have feared to publish them as from the mind of the deceased poet, if he had neglected to preserve the autograph to show that they had not been accommodated to that event. The most carefully finished of the pieces by EVANS is an "Ode on the Prospect of Peace," written in 1761, but several in a lighter vein were more pleasing. In the following, we have a glimpse of our great philosopher, in his middle age:

"TO BENJAMIN FRANKLIN, ESQ., LL.D.
"ON HEARING HIM PLAY ON THE HARMONICA.
"IN grateful wonder lost, long had we view'd
Each gen'rous act thy patriot-soul pursued;
Our little state resounds thy just applause,

And, pleased, from thee new fame and honour draws;
In thee those various virtues are combined,

That form the true preeminence of mind.
"What wonder struck us when we did survey

The Lambent lightnings innocently play;

And down thy rods beheld the dreaded fire

In a swift flame descend and then expire;

While the red thunders, roaring loud around,

Burst the black clouds, and harmless smote the ground. Blest use of art! applied to serve mankind

The noble province of the sapient mind!

For this the soul's best faculties were given,

To trace great nature's laws from earth to heaven.

"Yet not these themes alone thy thoughts command; Each softer science owns thy fostering hand;

Aided by thee, URANIA'S heavenly art,

With finer raptures charms the feeling heart;
Th' Harmonica shall join the sacred choir,

Fresh transports kindle, and new joys inspire.

Hark! the soft warblings, sounding smooth and clear,
Strike with celestial ravishment the ear,
Conveying inward, as they sweetly roll,
A tide of melting music to the soul;

And sure if aught of mortal-moving strain,
Can touch with joy the high angelic train,

Tis this enchanting instrument of thine,

Which speaks in accents more than half divine!”

Among some trifles inscribed to Miss GREME,

"ORPHEUS AND EURYDICE.
"ORPHEUS, of old, as poets tell,
Took a fantastic trip to hell,
To seek his wife, as wisely guessing,
She must be there, since she was missing.
Downward he journeyed, wonderous gay,
And, like a lark, sang all the way.
The reason was-or they belied him,
His yoke-fellow was not beside him.
Whole grottoes, as he pass'd along,
Danced to the music of his song.
So I have seen, upon the plains,
A fiddler captivate the swains,
And make them caper to his strains.
TO PLUTO'S court at last he came,
Where the god sat enthroned in flame,
And ask'd if his lost love was there-
EURYDICE, his darling fair?

The fiends, who listening round him stood,
At the odd question laugh'd aloud:
"This must some mortal madman be-
We fiends are happier far than he'
But music's sounds o'er hell prevail;
Most mournfully he tells his tale,
Soothes with soft arts the monarch's pain,
And gets his bargain back again.
"Thy prayers are heard," grim PLUTO cries,
On this condition take thy prize:
Turn not thine eyes upon the fair-
If once thou turn'st, she flies in air.'
In amorous chat they climb th' ascent-
ORPHEUS, as order'd, foremost went;
(Though, when two lovers downwards steer,
The man, as fit, falls in the rear:)

Soon the fond fool turns back his head-
As soon, in air, his spouse was fled!
If 't was designed, 't was wonderous well;
But, if by chance, more lucky still.
Happy the man, all must agree,

Who once from wedlock's noose gets free;
But he who from it twice is freed,

Has most prodigious luck indeed!"

A portrait of EVANS, by his young friend WEST, is preserved in Philadelphia. Among the subscribers for his volume of poems, was Dr. GOLDSMITH, with whom he had probably become acquainted while visiting London for ordination.

The celebrated wit, lawyer, and statesman, FRANCIS HOPKINSON, born in 1737, made his first appearance as a poet in BRADFORD'S "American Magazine," one of his earlier contributions to which was a tribute to the genius of WOLLASTON, the painter, then living in Philadelphia, from which the following is an extract:

"To you, famed WOLLASTON, these strains belong,
And be your praise the subject of my song.
When your soft pencil bids the canvas shine
With mimic life, with elegance divine,
The enraptured muse, fond to partake thy fire,
With equal sweetness strives to sweep the lyre;
With equal justice fain would paint your praise,
And by your name immortalize her lays.
"Ofttimes with wonder and delight I stand
To view the amazing conduct of
your hand.
At first unlabored sketches lightly trace
The glimmering outlines of a human face,
Then, by degrees, the liquid life o'erflows
Each rising feature-the rich canvas glows
With heightened charms-the forehead rises fair-

In glossy ringlets twines the nut-brown hair,

WOLLASTON is honorably mentioned in HORACE WALPOLE'S "Anecdotes." The finest of his known American

who had rallied him on his indisposition to marry, portraits is that of MARTHA DANDRIDGE, afterward the wife

was a new version of the story of

of WASHINGTON.

And sparkling eyes give meaning to the whole,
And seem to speak the dictates of the soul.....
Thus the gay flowers, that paint the embroidered plain,
By rising steps their glowing beauties gain.
No leaves at first their burning glories show,
But, wrapt in simple forms, unnoticed grow,
Till, ripened by the sun's meridian ray,
They spread perfection to the blaze of day.

"Nor let the muse forget thy name, O, WEST!
Loved youth, by virtue, as by nature blest.
If such the radiance of thy early morn,
What bright effulgence must thy noon adorn!
Hail, sacred genius! mayst thou ever tread
The pleasing paths your WOLLASTON has led;
Let his just precepts all your works refine,
Copy each grace, and learn like him to shine.
So shall some future muse her sweeter lays
Swell with your name, and give you all his praise!"

This poem is not reprinted in the collection of HOPKINSON'S Works, published in Philadelphia in 1793. His "Battle of the Kegs," a satirical ballad, is the most celebrated of his productions; and several pieces of humorous prose, written by him before the revolution, are among the familiar and popular examples of early American literature.

JOHN BEVERIDGE, the author of numerous Latin poems in the "American Magazine” and other miscellanies of that period, was a native of Scotland, and had studied under "the great RUDDIMAN" in Edinburgh. He emigrated in 1752 to New England, where he remained five years, and became intimate with Doctor JONATHAN

MAYHEW and other scholars. In 1757 he proceeded to Philadelphia, and was appointed professor of languages in the college there. An entertaining account of him is given in Captain ALEXANDER GRAYDON's admirably written "Memoirs of a Life passed chiefly in Pennsylvania." In 1765 he published by subscription his volume entitled "Epistolæ Familiares et alia quædam Miscellanea," several of which were translated by ALEXANDER ALEXANDER, who prefixes some verses "on Mr. BEVERIDGE'S poetical performances," wherein he says.

"If music sweet delight your ravished ear,
No music's sweeter than the numbers here.
In former times famed MARO smoothly sung,
But, still, he warbled in his native tongue;

His towering thoughts and soft enchanting lays
Long since have crowned him with enchanting bays;
But ne'er did MARO such high glory seek

As to excel MOONIDES in Greek,

Here you may view a bard of modern time,
Who claims your Scotland as his native clime,
Contend with FLACCUS on the Roman lyre,
His humor catch, and glow with kindred fire."

While in Boston BEVERIDGE addressed the following epistle to one of his friends in Scotland:

"AD REV. JACOB INNESIUM, V.D.M.
"Tadium longi maris et viarum,
Bella ventorum varias vicesque,
Et procellosi rabiem profundi,
Jam superavi.

"Atque tranquillus requiesco pace,
Letus ad ripam viridantis amnis,
Tuta quà Casco sinuosus offert
Littora nautis;

"Gratior qua sol radiis refulget,
Aptior tellus avidis colonis,
Lenior gratis zephyri susurris

Murmurat aura.

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"Estuet vultu Boreas minaci,
Sæviat diris Aquilo procellis,
Eurus algentes glacialis imbres
Spiret ab ortu;

"Hic tamen vitæ liceat beatæ
Mi bonis uti, pariter saventis
Læta fortunæ, masa seu minantis
Ferre parato.

"Nam juvant sylvis operum labores,
Gratus et sudor fluit, atra bilis
Cura nec vanis animum querelis
Anxia turbat.
"Attamen torquet male nunc, amice,
Talus intortus: glacies sesellit
Lavis incautum, subitusque lapsu
Volvor iniquo.

"Cæterum vivunt reliqui valentque,
Omnibus ridet locus, atque ridet
Capium spendens inarata cornu
Terra benigno.
"Scire nunce hæc te volui. Tabellas
Mitterem longas; sed aquam bibenti
Scripta sunt ævi brevis, ut probavit

Carmine FLACCUS."*

JOHN OSBORN, son of a schoolmaster of Sandwich, in Massachusetts, who was born in 1713 and died in 1753, wrote a "Whaling Song," which was well known in the Pacific for more than half a century. While in college, in 1735, he addressed an elegiac epistle to one of his sis ters, on the death of a member of the family, of which the following is a specimen :

The following is a translation of the above Ode, by the

Reverend Doctor JONATHAN MAYHEW, of Boston:

"TO THE REVEREND MR. J. INNES, &c.
"I've now o'ercome the long fatigue
Of seas extended many a league,
The war of winds, their rage and sleep,
And all the madness of the deep;
Once more in joyous peace abide
Upon a river's verdant side,

Where Casco's shore, of winding form,
Invites the sailor from the storm;
Where shoots the sun a milder ray,
And scatters round the genial day:
Where a more kind and generous soil
Invites the eager lab'rer's toil;

Where murmuring zephyrs still I hear

And gentle breezes fan the air.

"Here the light deer still take their round,
And o'er the fruitful valley's bound;
Here purer streams alive I find,
With finny swarms of every kind;
The woods with feather'd life abound
Of every size, of every sound.
And airy music warbles round.

"With angry face, let Bores storm,
Let northern blusts the heav'ns deform,
Let Eurus rage with all his power,
And headlong drive the snowy shower;
Yet I can here enjoy my rest,

A life with nature's bounty blest;
Alike prepared, if fortune lend
Precarious bliss, or evil send,
To live contented to the end.

"For in these groves, from morn to night,
Sweat grateful flows, and toils delight;
Black choler here no place can find,
Nor fruitless cares distract the mind.
"Yet, friend, my ancle by a sprain,
At present gives unwelcome pain:
Along incautious as I stray'd,
The slippery ice my heels betray 'd,
And, while I dreamt no harm at all,
Gave me a base dishonest fail.

"Excepting this, all friends are well,
Charm'd with the country where we dwell;
And charm'd, while here the bounteous field
Spontaneous promises, untill'd,
With copious horn, its stores to yield,
"I thought it could not much displease
To tell a friend such things as these:
And should have writ a longer letter,
Only his verse, whose drink is water,
Can live but for a moment's time,
As Horace proved long since in rhyme."

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Nor lowing herds;
The woody hills,
Nor murm'ring rills;
The sylvan shades.

Nor flowery meads,

To me their former joys dispense.

Though all their pleasures court my sense,
But melancholy damps my mind;

I lonely walk the field,

With inward sorrow fill'd,

And sigh to every breathing wind."

The facetious MATHER BYLES was in his time equally famous as a poet and wit. A contemporary bard exclaims

"Would but APOLLO's genial touch inspire

Such sounds as breathe from BYLES's warbling lyre, Then might my notes in melting measures flow, And make all nature wear the signs of wo." And his humor is celebrated in a poetical account of the clergy of Boston, copied by Mr. LORING in his "Hundred Orators of Boston:" "There's punning BYLES, provokes our smiles, A man of stately parts.

He visits folks to crack his jokes,

Which never mends their hearts.
"With strutting gait, and wig so great,
He walks along the streets;

And throws out wit, or what's like it,
To every one he meets."

BYLES was graduated at Cambridge in 1725, and ordained the first minister of the church in Hollis street, in 1732. He soon became eminent as a preacher, and King's College at Aberdeen conferred on him the degree of Doctor in Divinity. He was one of the authors of "A Collection of Poems by several Hands," which appeared in 1744, and of numerous essays and metrical compositions in The New England Weekly Journal," the merit of which was such as to introduce him to the notice of POPE and other English scholars. One of his poems is entitled, "The Conflagration;" and it is "applied to that grand catastrophe of our world when the face of nature is to be changed by a deluge of fire." The following lines are from this effusion:

"Yet shall ye, flames, the wasting globe refine,
And bid the skies with purer splendor shine.
The earth, which the prolific fires consume,
To beauty burns, and withers into bloom;
Improving in the fertile flame it lies,
Fades into form, and into vigor dies:
Fresh-dawning glories blush amidst the blaze,
And nature all renews her flowery face.
With endless charms the everlasting year
Rolls round the seasons in a full career;
Spring, ever-blooming, bids the fields rejoice,
And warbling birds try their melodious voice;

Where'er she treads, lilies unbidden blow,
Quick tulips rise, and sudden roses glow:
Her pencil paints a thousand beauteous scenes,
Where blossoms bud amid immertal greens:
Each stream, in mazes, murmurs as it flows,
And floating forests gently bend their boughs,
Thou, autumn, too, sitt'st in the fragrant shade,
While the ripe fruits blush all around thy head:
And lavish nature, with luxuriant hands,

All the soft months in gay confusion blends." BYLES was earnestly opposed to the revolution, and in the spring of 1777 was denounced in the public assemblies as a Tory, and compelled to give bonds for his appearance before a court for trial. In the following June he was convicted of treasonable conversation, and hostility to the country, and sentenced to be imprisoned forty days on board a guard-ship, and at the end of that period to be sent with his family to England. The board of war however took his case into consideration, and commuted the punishment to a short confinement under a guard in his own house; but, though he continued to reside in Boston during the remainder of his life he never again entered a pulpit, nor regained his anterevolutionary popularity. He died in 1788, in the eighty-second year of his age,

He was a favorite in every social or convivial circle, and no one was more fond of his society than the colonial governor, BELCHER, on the death of whose wife he wrote an elegy ending with

"Meantime my name to thine allied shall stand, Still our warm friendship, mutual flames extend; The muse shall so survive from age to age, And BELCHER's name protect his BYLES's page." The doctor had declined an invitation to visit with the governor the province of Maine, and BELCHER resorted to a stratagem to secure his company. Having persuaded him to drink tea with him on board the Scarborough ship of war, one Sunday afternoon, as soon as they were seated at the table the anchor was weighed, the sails set, and before the punning parson had called for his last cup, the ship was too far at sea for him to think of returning to the shore. As every thing necessary for his comfort had been thoughtfully provided, he was easily reconciled to the voyage. the next Sunday, it was discovered that there was While making preparations for religious services, no hymn-book on board, and he wrote the following lines, which were sung instead of a selection from STERNHOLD and HOPKINS——

"Great Gon, thy works our wonder raise;
To thee our swelling notes belong;
While skies and winds, and rocks and seas,
Around shall echo to our song.

"Thy power produced this mighty frame,
Aloud to thee the tempests roar,
Or softer breezes tune thy name
Gently along the shelly shore,
"Round thee the scaly nation roves,

Thy opening hands their joys bestow,
Through all the blushing coral groves,
These silent gay retreats below.

"See the broad sun forsake the skies,

Glow on the waves, and downward glide;
Anon heaven opens all its eyes,

And star-beams tremble o'er the tide.

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