Reason and Horror: Critical Theory, Democracy, and Aesthetic Individuality
Psychology Press, 2001 - 348 pages
Morton Schoolman develops a fascinating and entirely new interpretation of the work of Horkenheimer and Adorno.
What people are saying - Write a review
We haven't found any reviews in the usual places.
REASON AND HORROR
THREE DIALECTIC OF ENLIGHTENMENT AS
RECONCILIATION AND THE ALLIANCE BETWEEN KANT AND HEGEL OR HEGEL
AESTHETIC INDIVIDUALITY AND THE DESTRUCTION OF THE JEWS
THE AESTHETICS OF DARKNESS
REASON AND DARKNESS
A MUSIC WHOSE SOUL KNOWS HOW TO ROAM AND BE AT HOME AMONG
Other editions - View all
achievement aesthetic form aesthetic individuality aesthetic receptivity allows America Apollinian appears argue argument artist authority become believe belonging concept consequence constituted continues creates creativity culture DAII darkness democracy democratic depths describes descriptive Dialectic of Enlightenment difference Dionysian discussion distinctive distinguish diversity divide enables equality of condition ethic existence experience explains expression forces formal rationality formal reason genealogical historical Horkheimer and Adorno Ibid idea ideal identity individuality's interest interpretation known language leaves less limits living logic meaning metaphorical mind moral mystery nature Nietzsche Nietzsche's object Odysseus offers once orientation original poetic forms poetry point of view possess possibilities present principle process of enlightenment provides question reality reconciliation refers reflection relation relationship remain representation represents seems sense sensibility social society Song space speaks stage surface theory thinking thought tion Tocqueville Tocqueville's tragedy truth understanding universal unknown violence Whitman