The Romantic PoetsHutchinson's University Library, 1953 - 200 pages |
From inside the book
Results 1-3 of 17
Page 144
... stanza . Stanza two is all dark with brilliant flashes : and stanza three reverses the order of stanza one - the soft , light - toned Mediterranean picture giving place to the sombre depths of the Atlantic . These three stanzas are ...
... stanza . Stanza two is all dark with brilliant flashes : and stanza three reverses the order of stanza one - the soft , light - toned Mediterranean picture giving place to the sombre depths of the Atlantic . These three stanzas are ...
Page 174
... stanza . The poem is not , as is sometimes said , a contrast between his own despondency and the happiness of the bird . It is about the con- trast between his own immediately experienced happiness in the bird's song , his imaginative ...
... stanza . The poem is not , as is sometimes said , a contrast between his own despondency and the happiness of the bird . It is about the con- trast between his own immediately experienced happiness in the bird's song , his imaginative ...
Page 175
... stanza the nightingale becomes a symbol of the artist and its song a symbol of art . It has often been said that this is an audacious paradox , that the nightingale , so far from being immortal , has a considerably shorter life than man ...
... stanza the nightingale becomes a symbol of the artist and its song a symbol of art . It has often been said that this is an audacious paradox , that the nightingale , so far from being immortal , has a considerably shorter life than man ...
Other editions - View all
Common terms and phrases
actual Aeschylus Alastor Ancient Mariner appears attempt beauty become Berkeley blank verse Byron CALIFORNIA LIBRARY canto Childe Harold Coleridge Coleridge's conscious criticism death Don Juan eighteenth century Elegy emotional Endymion English Excursion experience fancy Fanny Brawne feeling fragment Godwin Gray Gray's happiness heart historical human Hyperion I. A. Richards ibid ideal imagery images imagination intellectual Keats Keats's kind Kubla Khan language later liberal lines literary living Lycidas Lyrical Ballads Mary Shelley Milton mind moral nature never object obscure passages passion perhaps philosophical pleasure poem poet's poetry political preface Prelude Prometheus prose Queen Mab revolution revolutionary Romantic poets seems sense sensuous sentiment Shelley Shelley's society sonnets soul spirit spring stanza style symbol theme things thought Tintern Abbey tion traditional truth UNIVERSITY OF CALIFORNIA verse whole Words Wordsworth Wordsworth and Coleridge Wordsworthian worth's writing written