Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New CriticismUniversity of Pennsylvania Press, 2013 M04 23 - 304 pages The humble ballad, defined in 1728 as "a song commonly sung up and down the streets," was widely used in elite literature in the eighteenth century and beyond. Authors ranging from John Gay to William Blake to Felicia Hemans incorporated the seemingly incongruous genre of the ballad into their work. Ballads were central to the Scottish Enlightenment's theorization of culture and nationality, to Shakespeare's canonization in the eighteenth century, and to the New Criticism's most influential work, Understanding Poetry. Just how and why did the ballad appeal to so many authors from the Restoration period to the end of the Romantic era and into the twentieth century? |
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... America on acid-free paper 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-iii-Publication Data Newman, Steve, 1970— Ballad collection, lyric, and the canon : the call of the popular from the Restoration to the New Criticism / Steve ...
... American New Criticism. Ballad Collection, Lyric, and the Canon analyzes how the lesser lyric of the ballad changed lyric poetry as a whole and, in so doing, helped to transform “literature” from polite writing in general into the body ...
... American poetry. But my expertise does not extend that far, and neither does the indulgence of most readers (or pub— lishers). So I have restricted myself to a particular series of cases in the British Long Eighteenth Century and to an ...
... the New Criticism. Having been masculinized as a vocation by Scott, ballad collection becomes a proper endeavor for American philologists like Francis James Child and Francis Barton Gummere and for the teachers and Introduction 13.
... American vision of resistance to genocide, calls “the Ghost Dance.” My goal has been to write a history of lyric and Literature that properly weighs the specificities of genre along with changes in sociopolitical struc— ture and that ...
Contents
1 | |
15 | |
Pastoral Progress and the Lyric Split in Allan Ramsay John Home and Robert Burns | 44 |
Collecting Shakespeares SongsShakespeare as Song Collector | 97 |
4 Ballads and the Problem of Lyric Violence in Blake and Wordsworth | 136 |
Child Ballads Childrens Ballads and the New Criticism | 185 |
Notes | 229 |
Bibliography | 263 |
Index | 283 |
Acknowledgments | 293 |
Other editions - View all
Ballad Collection, Lyric, and the Canon: The Call of the Popular from the ... Steve Newman No preview available - 2007 |