Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New CriticismUniversity of Pennsylvania Press, 2013 M04 23 - 304 pages The humble ballad, defined in 1728 as "a song commonly sung up and down the streets," was widely used in elite literature in the eighteenth century and beyond. Authors ranging from John Gay to William Blake to Felicia Hemans incorporated the seemingly incongruous genre of the ballad into their work. Ballads were central to the Scottish Enlightenment's theorization of culture and nationality, to Shakespeare's canonization in the eighteenth century, and to the New Criticism's most influential work, Understanding Poetry. Just how and why did the ballad appeal to so many authors from the Restoration period to the end of the Romantic era and into the twentieth century? |
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... scene opens with her interrupting her husband's recitation of the names on “the Black-List.” This is the catalogue of criminals Peachum has decided to send to the gallows, since they bring him less money through stealing than the forty ...
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Contents
1 | |
15 | |
Pastoral Progress and the Lyric Split in Allan Ramsay John Home and Robert Burns | 44 |
Collecting Shakespeares SongsShakespeare as Song Collector | 97 |
4 Ballads and the Problem of Lyric Violence in Blake and Wordsworth | 136 |
Child Ballads Childrens Ballads and the New Criticism | 185 |
Notes | 229 |
Bibliography | 263 |
Index | 283 |
Acknowledgments | 293 |
Other editions - View all
Ballad Collection, Lyric, and the Canon: The Call of the Popular from the ... Steve Newman No preview available - 2007 |