1 A honey shower rains from her lips, She makes thee seek, yet fear to find; She letteth fall some luring baits, Now sweet, now sour, for every taste Her watery eyes have burning force, May never was the month of love, With soothing words enthralled souls Plough not the seas, sow not the sands, Seek other mistress for your mindsLove's service is in vain. Scorn not the Least. Where words are weak, and foes encount'ring strong, Where mightier do assault than do defend, The feebler part puts up enforced wrong, And silent sees, that speech could not amend: Yet higher powers must think, though they repine, When sun is set the little stars will shine. While pike doth range, the silly tench doth fly, The merlin cannot ever soar on high, Nor greedy greyhound still pursue the chase; The tender lark will find a time to fly, And fearful hare to run a quiet race. In Haman's pomp poor Mardocheus wept, SAMUEL DANIEL. SAMUEL DANIEL was the son of a music-master. He was born in 1562, near Taunton, in Somerset shire, and seems to have been educated under the patronage of the Pembroke family. In 1579, he was entered a commoner of Magdalen Hall, Oxford, where he chiefly devoted himself to the study of poetry and history; at the end of three years, he quitted the university, without taking a degree, and was appointed tutor to Anne Clifford, daughter of the Earl of Cumberland. After the death of Spenser, Daniel became what Mr Campbell calls 'voluntary laureate' to the court, but he was soon superseded by Ben Jonson. In the reign of James (1603), he was appointed Master of the Queen's Revel's, and inspector of the plays to be represented by the juvenile performers. He was also preferred to be a Gentleman-Extraordinary and Groom of the Chamber to Queen Anne. Towards the close of his life, he retired to a farm at Beckington, in Somersetshire, where he died in October 1619. The works of Daniel fill two considerable volumes; but most of them are extremely dull. Of this nature is, in particular, his History of the Civil War (between the houses of York and Lancaster), which occupied him for several years, but is not in the least superior to the most sober of prose narratives. His Complaint of Rosamond is, in like manner, rather a piece of versified history than a poem. His two tragedies, Cleopatra and Philotas, and two pastoral tragi-comedies, Hymen's Triumph and The Queen's Arcadia, are not less deficient in poetical effect. In all of these productions, the historical taste of the author seems to have altogether suppressed the poetical. It is only by virtue of his minor pieces and sonnets, that Daniel continues to maintain his place amongst the English poets. His Epistle to the Countess of Cumberland is a fine effusion of meditative thought. [From the Epistle to the Countess of Cumberland.] He that of such a height hath built his mind, And with how free an eye doth he look down He looks upon the mightiest monarch's wars, Conspires with power, whose cause must not be ili. * * He sees the face of right t' appear as manifold * 7 [Richard II., the Morning before his Murder in Whether the soul receives intelligence, However, so it is, the now sad king, The morning of that day which was his last, O happy man, saith he, that lo I see, Thou sitt'st at home safe by thy quiet fire, For pity must have part-envy not all. Thrice happy you that look as from the shore, Other men's travels, while yourselves sit free. Whose blinded greatness, ever in turmoil, [Early Love.] : Ah, I remember well (and how can I We spent our childhood. But when years began [Selections from Daniel's Sonnets.] I must not grieve, my love, whose eyes would read Fair is my love, and cruel as she's fair; Care-charmer Sleep, son of the sable Night, MICHAEL DRAYTON. MICHAEL DRAYTON, born, it is supposed, at Atherston, in Warwickshire, about the year 1563, and the son of a butcher, discovered in his earliest years such proofs of a superior mind, that, at the age of ten, he was made page to a person of quality-a situation which was not in that age thought too humble for the sons of gentlemen. He is said, upon dubious authority, to have been for some time a student at Oxford. It is certain that, in early life, he was highly esteemed and strongly patronised by several persons of consequence; particularly by Sir Henry Goodere, Sir Walter Aston, and the Countess of Bedford: to the first he was indebted for great part of his education, and for recommending him to the countess; the second supported him for several years. In 1593, Drayton published a collection of his pastorals, and soon after gave to the world his more elaborate poems of The Baron's Wars and England's Heroical Epistles. In these latter productions, as in the History of the Civil War by Daniel, we see symptoms of that taste for poetised history (as it may be called) which marked the age -which is first seen in Sackville's design of the Mirrour for Magistrates, and was now developing itself strongly in the historical plays of Shakspeare, Shak Marlow and others. On the accession of James L in 1603, Drayton acted as an esquire to his patron, Sir Walter Aston, in the ceremony of his installation as a Knight of the Bath. The poet expected some patronage from the new sovereign, but was disappointed. He published the first part of his most elaborate work, the Polyolbion, in 1612, and the second in 1622, the whole forming a poetical description of England, in thirty songs, or books. Michael Drayton. The Polyolbion is a work entirely unlike any otner in English poetry, both in its subject and the manner in which it is written. It is full of topographical and antiquarian details, with innumerable allusions to remarkable events and persons, as conaected with various localities; yet such is the poetical genius of the author, so happily does he idealise almost everything he touches on, and so lively is the flow of his verse, that we do not readily tire in perusing this vast mass of information. He seems to have followed the manner of Spenser in his unceasing personifications of natural objects, such as hills, rivers, and woods. The information contained in this work is in general so accurate, that it is quoted as an authority by Hearne and Wood. In 1627, Drayton published a volume containing The Battle of Agincourt, The Court of Faerie, and other poems. Three years later appeared another volume, entitled The Muses' Elysium, from which it appears that he had found a final shelter in the family of the Earl of Dorset. On his death in 1631, he was buried in Westminster Abbey, where a monument, containing an inscription in letters of gold, was raised to his memory by the wife of that nobleman, the justly celebrated Lady Anne Clifford, subsequently Countess of Pembroke and Mont gomery. Drayton, throughout the whole of his writings, voluminous as they are, shows the fancy and feeling of the true poet. According to Mr Headley- He possessed a very considerable fertility of mind, which enabled him to distinguish himself in almost every species of poetry, from a trifling sonnet to a long topographical poem. If he anywhere sinks below himself, it is in his attempts at satire. In a most pedantic era, he was unaffected, and seldom exhibits kis learning at the expense of his judgment.' breast, Then from her burnisht gate the goodly glitt'ring east That hath so many sorts descending from her kind. The tydy for her notes as delicate as they, To kiss the gentle shade, this while that swectly sleeps. And near to these our thicks, the wild and frightful herds, Not hearing other noise but this of chattering birds, Feed fairly on the lawns; both sorts of seasoned deer : Here walk the stately red, the freckled fallow there : The bucks and lusty stags amongst the rascals strew'd As sometime gallant spirits amongst the multitude. Of all the beasts which we for our venerial name, The hart among the rest, the hunter's noblest game: 1 Of all birds, only the blackbird whistleth. 2 Of hunting, or chase. and near, Brave huntress; but no beast shall prove thy quarries here; Save those the best of chase, the tall and lusty red, The stag for goodly shape, and stateliness of head, Is fitt'st to hunt at force. For whom, when with his hounds The labouring hunter tufts the thick unbarbed grounds, Where harbour'd is the hart; there often from his feed The dogs of him do find; or thorough skilful heed, The huntsman by his slot, or breaking earth, perceives, Or ent'ring of the thick by pressing of the greaves, Where he had gone to lodge. Now when the hart doth hear The often-bellowing hounds to vent his secret lair, drive, As though up by the roots the bushes he would rive. And through the cumb'rous thicks, as fearfully he makes, He with his branched head the tender saplings shakes, That sprinkling their moist pearl do seem for him to Until the noble deer, through toil bereav'd of strength, The cruel ravenous hounds and bloody hunters near, opposed, He turns upon his foes, that soon have him inclosed. The churlish-throated hounds then holding him at bay, And as their cruel fangs on his harsh skin they lay, With his sharp-pointed head he dealeth deadly wounds. The hunter, coming in to help his wearied hounds, He desperately assails; until opprest by force, He who the mourner is to his own dying corse, Upon the ruthless earth his precious tears lets falll To forests that belongs. * * Her often varying form, as variously and changes; First Erwash, and then Lyne, sweet Sherwood sends her in; Then looking wide, as one that newly wak'd had been, Saluted from the north, with Nottingham's proud height, So strongly is surpris'd, and taken with the sight, dress'd, In which she sees herself above her neighbours bless'd. As wrap'd with the delights, that her this prospect brings, In her peculiar praise, lo thus the river sings: What should I care at all, from what my name I That thirty doth import, that thirty rivers make; strive, Fetch her descent from Wales, from that proud moun tain sprung, Plinillimon, whose praise is frequent them among, bear, Bright Sabrin, whom she holds as her undoubted heir, Let these imperious floods draw down their long de scent From these so famous stocks, and only say of Trent, 1 The hart weepeth at his dying; his tears are held to be pre That Moreland's barren earth me first to light did bring, cious in medicine. Which though she be but brown, my clear complexion'd spring Gain'd with the nymphs such grace, that when I first did rise, The Naiads on my brim danc'd wanton hydagies, And on her spacious breast (with heaths that doth abound) Encircled my fair fount with many a lusty round: And of the British floods, though but the third I be, Yet Thames and Severn both in this come short of me, For that I am the mere of England, that divides The north part from the south, on my so either sides, That reckoning how these tracts in compass be extent, Men bound them on the north, or on the south of Trent; Their banks are barren sands, if but compar'd with mine, Through my perspicuous breast, the pearly pebbles shine: I throw my crystal arms along the flow'ry valleys, And crown my winding banks with many an anadem; As nature had thereon bestow'd this stronger guard, His very near ally, and both for scale and fin, But with such nimble flight, that ere ye can disclose Food to the tyrant pike (most being in his power), Who for their numerous store he most doth them devour; The lusty salmon then, from Neptune's wat'ry realm, When as his season serves, stemming my tideful stream, Then being in his kind, in me his pleasure takes, Of many a liquorish lip, that highly is regarded. Not Ancum's silver'd eel excelleth that of Trent; Though the sweet smelling smelt be more in Thames than me, The lamprey, and his lesse, in Severn general be; For ought to her might chance, by others love or hate, With resolution arm'd against the power of fate, laid, How he hath cousen'd them, that him would have betray'd; How often he hath come to Nottingham disguised, |