The Collected Works of William Hazlitt, Volume 13J. M. Dent & Company, 1903 |
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Page 16
... passage , every image is brought forward that can give effect to our natural impression of the beauty , the splendour , and solemn grandeur of the rising sun ; pleasure and power wait on every line and word : whereas , in the other ...
... passage , every image is brought forward that can give effect to our natural impression of the beauty , the splendour , and solemn grandeur of the rising sun ; pleasure and power wait on every line and word : whereas , in the other ...
Page 23
... passage in Milton's Paradise Lost in a false tone , will make it seem insipid and absurd . The cavilling at , or invidiously pointing out , a few slips of the pen , will embitter the pleasure , or alter our opinion of a whole work , and ...
... passage in Milton's Paradise Lost in a false tone , will make it seem insipid and absurd . The cavilling at , or invidiously pointing out , a few slips of the pen , will embitter the pleasure , or alter our opinion of a whole work , and ...
Page 30
... passages in Pope . His habitually morbid temperament and saturnine turn of thought required that the string should rather be relaxed than tightened , that the weight upon the mind should rather be taken off than have any thing added to ...
... passages in Pope . His habitually morbid temperament and saturnine turn of thought required that the string should rather be relaxed than tightened , that the weight upon the mind should rather be taken off than have any thing added to ...
Page 35
... passage , but he lays down the book to think . The wit , however diverting , is social and humane . But this is not the distinguishing characteristic of wit , which is generally provoked by folly , and spends its venom upon vice . The ...
... passage , but he lays down the book to think . The wit , however diverting , is social and humane . But this is not the distinguishing characteristic of wit , which is generally provoked by folly , and spends its venom upon vice . The ...
Page 38
... passages from books , does it with a spirit , felicity , and mastery over his subject , that instantly makes them his own ; and shews more independence of mind and original thinking in what he plunders 38 LECTURES ON THE COMIC WRITERS.
... passages from books , does it with a spirit , felicity , and mastery over his subject , that instantly makes them his own ; and shews more independence of mind and original thinking in what he plunders 38 LECTURES ON THE COMIC WRITERS.
Common terms and phrases
absurdity actor actress admirable appeared audience beauty Beggar's Opera better character Charles Kemble comedy comic Coriolanus Covent Garden criticism delight Don Quixote dramatic Drury Lane Drury-Lane effect English equal Essays Examiner excellence expression eyes face fancy farce favourite feeling folly genius gentleman give grace Hamlet Hazlitt heart Hogarth Hudibras human humour Iago Ibid imagination imitation interest Kean Kean's Kemble Kemble's Lady laugh look Lord lover ludicrous Macbeth manner mind Miss Kelly Miss O'Neill moral nature never night Opera Othello pantomime passion person piece play pleasure poet poetry Pope produced refinement Richard ridiculous scene School for Scandal seems sense sentiment Shakespear shew Shylock singing song soul spirit stage style supposed taste Tatler Theatre theatrical thing thou thought Tom Jones tone tragedy truth Twelfth Night voice whole wife words writer young
Popular passages
Page 210 - O, here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world-wearied flesh.
Page 207 - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Page 55 - Why so pale and wan, fond lover? Prithee, why so pale? Will, when looking well can't move her, Looking ill prevail? Prithee, why so pale?
Page 24 - The hedge-sparrow fed the cuckoo so long, That it had its head bit off by its young.
Page 450 - Methinks I should know you and know this man; yet I am doubtful: for I am mainly ignorant what place this is, and all the skill I have remembers not these garments; nor I know not where I did lodge last night.
Page 449 - Tom? whom the foul fiend hath led through fire and through flame, through ford and whirlpool, o'er bog and quagmire; that hath laid knives under his pillow, and halters in his pew...
Page 26 - ... sometimes it is couched in a bold scheme of speech ; in a tart irony ; in a lusty hyperbole ; in a startling metaphor ; in a plausible reconciling of contradictions, or in acute nonsense : sometimes a scenical representation of persons or things, a counterfeit speech, a...
Page 471 - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
Page 276 - All school-days' friendship, childhood innocence ? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key ; As if our hands, our sides...
Page 19 - Wit lying most in the assemblage of Ideas, and putting those together with quickness and variety, wherein can be found any resemblance or congruity, thereby to make up pleasant Pictures, and agreeable Visions in the fancy...