The New York Coach-maker's Magazine, Volume 1E.M. Stratton, 1859 |
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... Style of , 133 Ourself and Enterprise , PAINT ROOM : A Hint to those who need it , 152 An Enthusiastic Painter , Let- ter from , 228 152 Borax , 229 ; a Lake of , 51 Article , Brushes , Painters ' , 12 ; How " to Keep , " 192 ; Bear ...
... Style of , 133 Ourself and Enterprise , PAINT ROOM : A Hint to those who need it , 152 An Enthusiastic Painter , Let- ter from , 228 152 Borax , 229 ; a Lake of , 51 Article , Brushes , Painters ' , 12 ; How " to Keep , " 192 ; Bear ...
Page 12
... style of trimming carriages since the year has come in . We may , however , say to those who are desirous to know the New York styles , that since the stitching machine has come into common use , the most costly got - up work is ...
... style of trimming carriages since the year has come in . We may , however , say to those who are desirous to know the New York styles , that since the stitching machine has come into common use , the most costly got - up work is ...
Page 13
... styles , and may give out ideas believing them to be original , which others may have thought of and even mentioned ... style of finish , we shall consider that we have rendered our efforts useful , rather than obnoxious to the craft ...
... styles , and may give out ideas believing them to be original , which others may have thought of and even mentioned ... style of finish , we shall consider that we have rendered our efforts useful , rather than obnoxious to the craft ...
Page 20
... Style , both in this country and Europe , and drawn cor- rectly to scale . To enlarge the field of design , and to give variety and tone to the work , we shall ( as a general thing ) give one foreign , one fashionable , and one original ...
... Style , both in this country and Europe , and drawn cor- rectly to scale . To enlarge the field of design , and to give variety and tone to the work , we shall ( as a general thing ) give one foreign , one fashionable , and one original ...
Page 25
... style money Will coach - makers spend their of literature , and let the only one which upholds the honor of their craft prove a loss and a mortification to its pub- lisher ? That this would be true of many trades I have not the ...
... style money Will coach - makers spend their of literature , and let the only one which upholds the honor of their craft prove a loss and a mortification to its pub- lisher ? That this would be true of many trades I have not the ...
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appearance arranged Assyrian axle beautiful better body BREWSTER & CO Bridgeport buggy CALASH CALECHE carriage carriage-makers centre cents chariot claim coach coach-makers coat color commence craft Crystal Palace draft draw droshky E. M. STRATTON Egypt Egyptian employed Engraved expressly eyes fifth wheel finished friends front give hand harness Haven hope horses Illustrated on Plate improved inches intended interest invention iron japan kind labor lamp-black leather light Limby look manner manufacture mechanical ment Messrs mind mortises never omnibuses operation ornament oval paint painter patent present purpose set putty readers riages SCALE seat seen side soon spokes spring style subscribers thing timber tion trimming turpentine varnish vehicle wagon wheel wood York city York Coach-maker's Magazine York Coach-Maker's Magazine.-Explained zine
Popular passages
Page 147 - So the Deacon inquired of the village folk Where he could find the strongest oak, That couldn't be split nor bent nor broke, That was for spokes and floor and sills; He sent for lancewood to make the thills; The crossbars were ash, from the straightest trees, The panels of white-wood, that cuts like cheese, But lasts like iron for things like these; The hubs of logs from the 'Settler's ellum...
Page 88 - This guest of summer, The temple-haunting martlet, does approve By his loved mansionry that the heaven's breath Smells wooingly here : no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendent bed and procreant cradle : Where they most breed and haunt, I have observed The air is delicate.
Page 175 - All this is true, if time stood still; which contrariwise moveth so round, that a froward retention of custom is as turbulent a thing as an innovation; and they that reverence too much old times, are but a scorn to the new.
Page 147 - Now in building of chaises, I tell you what, There is always somewhere a weakest spot, — In hub, tire, felloe, in spring or thill, In panel, or crossbar, or floor, or sill, In screw, bolt, thoroughbrace, — lurking still, Find it somewhere you must and will, — Above or below, or within or without, — And that's the reason, beyond a doubt, A chaise breaks down, but doesn't wear out. But the Deacon swore (as Deacons do, With an "I dew vum...
Page 183 - Trust thyself: every heart vibrates to that iron string. Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events.
Page 147 - EIGHTEEN HUNDRED ; — it came and found The Deacon's masterpiece strong and sound. Eighteen hundred increased by ten ; — 'Hahnsum kerridge' they called it then. Eighteen hundred and twenty came: — Running as usual ; much the same. Thirty and forty at last arrive, And then come fifty, and FIFTY-FIVE. Little of all we value here Wakes on the morn of its hundredth year Without both feeling and looking queer.
Page 147 - Drawn by a rat-tailed, ewe-necked bay. " Huddup! " said the parson. — Off went they. The parson was working his Sunday's text, — Had got to fifthly, and stopped perplexed At what the — Moses — was coming next. All at once the horse stood still, Close by the meet'n'-house on the hill.
Page 147 - I tell yeou") He would build one shay to beat the taown 'N' the keounty, 'n' all the kentry raoun'; It should be so built that it couldn' break daown: — "Fur," said the Deacon, "'t's mighty plain Thut the weakes' place mus' Stan' the strain; 'N' the way t' fix it, uz I maintain, Is only jest T' make that place uz strong uz the rest.
Page 147 - That there wasn'ta chance for one to start, For the wheels were just as strong as the thills, And the floor was just as strong as the sills And the panels just as strong as the floor, And the whipple-tree neither less nor more, And the back-crossbar as strong as the fore.
Page 95 - The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. His hair is crisp, and black, and long, His face is like the tan; His brow is wet with honest sweat, He earns whate'er he can, And looks the whole world in the face, For he owes not any man.