 Shakspeare followed the main march of the human affections. He entered into no analysis of the passions or faiths of men, but assured himself that such and...  Proceedings - Page 221by Literary and Philosophical Society of Liverpool - 1867Full view - About this book
 | Caleb Sprague Henry, Joseph Green Cogswell - 1838 - 546 pages
...attesting its reality by reflecting it. " Lastly, in Shakspeare the heterogeneous is united, as it is in nature. You must not suppose a pressure or passion...always acting on or in the character ; — passion in Shakspeare is that by which the individual is distinguished from others, not that which makes a different... | |
 | Francis Lister Hawks - 1838 - 542 pages
...attesting its reality by reflecting it. " Lastly, in Shakspeare the heterogeneous is united, as it is in nature. You must not suppose a pressure or passion always acting oo or in the character;—passion in Shakspearo is that by which the individual is distinguished from... | |
 | Samuel Taylor Coleridge - 1849 - 398 pages
...attesting its reality by reflecting it. Lastly, in Shakspeare the heterogeneous is united, as it is in nature. You must not suppose a pressure or passion...always acting on or in the character ! — passion in Shakspeare is that by which the individual is distinguished from others, not that which makes a different... | |
 | Samuel Taylor Coleridge - 1849 - 400 pages
...not suppose a pressure or passion always acting on or in the character ! — passion in Shakspeare is that by which the individual is distinguished from...others, not that which makes a different kind of him. Shakspeare followed the main march of the human affections. He entered into no analysis of the passions... | |
 | Samuel Taylor Coleridge - 1853 - 494 pages
...attesting its reality by reflecting it. Lastly, in Shakspeare the heterogeneous is united, as it is in nature. You must not suppose a pressure or passion...always acting on or in the character ! — passion in Shakspeare is that by which the individual is distinguished from others, not that which makes a different... | |
 | Samuel Taylor Coleridge - 1853 - 512 pages
...attesting its reality by reflecting it. Lastly, in Shakspeare the heterogeneous is united, as it is in nature. You must not suppose a pressure or passion...always acting on or in the character !—passion in Shakspeare is that by wliich the individual is distinguished from others, not that which makes a diflerent... | |
 | Samuel Taylor Coleridge - 1854 - 502 pages
...attesting its reality by reflecting it. ,.'"' Lastly*, in Shakspeare the heterogeneous is united, as it is in ' nature. »You must not suppose a pressure or passion always acting on or in the character -T-ipassion in Shakspeare is that by which the individual is distinguished from others, not that which... | |
 | Samuel Taylor Coleridge - 1858 - 508 pages
...attesting its reality by reflecting it. Lastly, in Shakspeare the heterogeneous is united, as it is in nature. You must not suppose a pressure or passion...always acting on or in the character ! — passion in Shakspeare is that by which the individual is distinguished from others, not that which makes a different... | |
 | John Timbs - 1874 - 360 pages
...attesting its reality by reflecting it. " Lastly, in Shakspeare, the heterogeneous is united, as it is in nature. You must not suppose a pressure, or passion,...always acting on or in the character ; passion, in Shakspeare, is that by which the individual is distinguished from others, not that which makes a different... | |
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