Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 |
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Page 55
... of times . Julius Cæjar , at 3. Sc.4 . Here Antony must have been impreffed with some fort of notion , that the body of Chap . 2. part 5 . Cæfar Cæfar was liftening to him , without which the speech Sect . I. 55 FIGURES .
... of times . Julius Cæjar , at 3. Sc.4 . Here Antony must have been impreffed with some fort of notion , that the body of Chap . 2. part 5 . Cæfar Cæfar was liftening to him , without which the speech Sect . I. 55 FIGURES .
Page 225
... some degree . Many fubjects may indeed be treated with equal advantage in either form ; but the subjects are still more numerous for which one of the forms is better qualified than the other ; and there are subjects proper for the one ...
... some degree . Many fubjects may indeed be treated with equal advantage in either form ; but the subjects are still more numerous for which one of the forms is better qualified than the other ; and there are subjects proper for the one ...
Page 391
... Some pro- portion is also required in different things intimately connected , as betwixt a dwell- ing - house , the garden , and the stables . But we require no proportion among things lightly connected , as betwixt the table a man ...
... Some pro- portion is also required in different things intimately connected , as betwixt a dwell- ing - house , the garden , and the stables . But we require no proportion among things lightly connected , as betwixt the table a man ...
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Common terms and phrases
abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word