Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 |
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Page 364
... arts of mufic , fculpture , and painting ; and to fupport the expence they require after they are brought to perfection . Nature is in every particular confiftent with herself . We are formed by nature to have a high relish for the fine ...
... arts of mufic , fculpture , and painting ; and to fupport the expence they require after they are brought to perfection . Nature is in every particular confiftent with herself . We are formed by nature to have a high relish for the fine ...
Page 365
... arts , what is beautiful or ugly , high or low , proper or improper , proportioned or difproportioned . And here , as in morals , we juftly condemn every tafte that fwerves from what is thus afcertained by the com- mon ftandard . The ...
... arts , what is beautiful or ugly , high or low , proper or improper , proportioned or difproportioned . And here , as in morals , we juftly condemn every tafte that fwerves from what is thus afcertained by the com- mon ftandard . The ...
Page 443
... arts compared with the moral fenfe i . 7. its advantages i . 1o . & c . Delicacy of taste i . 136. A low taste i . 276. The foundation of a right and a wrong in taste iii . 358 . Taste in the fine arts as well as in morals corrupted by ...
... arts compared with the moral fenfe i . 7. its advantages i . 1o . & c . Delicacy of taste i . 136. A low taste i . 276. The foundation of a right and a wrong in taste iii . 358 . Taste in the fine arts as well as in morals corrupted by ...
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Common terms and phrases
abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word