Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 |
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Page 117
... betwixt luft and a ciftern , or betwixt enor- mous luft and a large cistern . Again , He cannot buckle his diftemper'd caufe Within the belt of rule . Macbeth , at 5. Sc . 2 . There is no refemblance betwixt a diftem- pered cause and ...
... betwixt luft and a ciftern , or betwixt enor- mous luft and a large cistern . Again , He cannot buckle his diftemper'd caufe Within the belt of rule . Macbeth , at 5. Sc . 2 . There is no refemblance betwixt a diftem- pered cause and ...
Page 274
... betwixt the fubjects exhibited in two different pictures , though the interrup- tion is imperceptible in paffing our eye from the one to the other . We have as little difficulty to conceive a change of place , however great . In this ...
... betwixt the fubjects exhibited in two different pictures , though the interrup- tion is imperceptible in paffing our eye from the one to the other . We have as little difficulty to conceive a change of place , however great . In this ...
Page 391
... betwixt a leg and an arm ; in the base , the shaft , the capital , of a pillar ; and in the length , the breadth , the height , of a room . Some pro- portion is also required in different things intimately connected , as betwixt a dwell ...
... betwixt a leg and an arm ; in the base , the shaft , the capital , of a pillar ; and in the length , the breadth , the height , of a room . Some pro- portion is also required in different things intimately connected , as betwixt a dwell ...
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Common terms and phrases
abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word