Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 |
From inside the book
Results 1-3 of 16
Page 225
... equally fitted for the fame subjects . But confidering their difference as to form , there will be found reafon to correct that thought , at least in some degree . Many fubjects may indeed be treated with equal advantage in either form ...
... equally fitted for the fame subjects . But confidering their difference as to form , there will be found reafon to correct that thought , at least in some degree . Many fubjects may indeed be treated with equal advantage in either form ...
Page 364
... equally necessary to perfect the arts of mufic , fculpture , and painting ; and to fupport the expence they require after they are brought to perfection . Nature is in every particular confiftent with herself . We are formed by nature ...
... equally necessary to perfect the arts of mufic , fculpture , and painting ; and to fupport the expence they require after they are brought to perfection . Nature is in every particular confiftent with herself . We are formed by nature ...
Page 426
... equally fudden in their decay i . 148 . ii . 91. Every passion ceases upon attaining its ul- timate end i . 148 . Laws of motion ) agreeable i . 255 . Les Freres ennemies ) of Racine cenfured ii . 177 . Lex talionis ) upon what ...
... equally fudden in their decay i . 148 . ii . 91. Every passion ceases upon attaining its ul- timate end i . 148 . Laws of motion ) agreeable i . 255 . Les Freres ennemies ) of Racine cenfured ii . 177 . Lex talionis ) upon what ...
Other editions - View all
Common terms and phrases
abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word