Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 |
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Page 375
... external object , is termed an external fenfe . This diftinction among the fenfes is made with reference to their objects merely ; for the fenfes , external and internal , are equally powers or faculties of the mind . 3. But as felf is ...
... external object , is termed an external fenfe . This diftinction among the fenfes is made with reference to their objects merely ; for the fenfes , external and internal , are equally powers or faculties of the mind . 3. But as felf is ...
Page 418
... External fenfes ) distinguished into two kinds i . 1. Ex . ternal fenfe iii . 375 . External figns ) of emotions and paffions ch . 15. ii . 116. External figns of paffion , what emotions they raise in a fpectator ii . 131. & c . Faculty ...
... External fenfes ) distinguished into two kinds i . 1. Ex . ternal fenfe iii . 375 . External figns ) of emotions and paffions ch . 15. ii . 116. External figns of paffion , what emotions they raise in a fpectator ii . 131. & c . Faculty ...
Page 440
Lord Henry Home Kames. which we discover a passion from its external signs ii . 136 . Senfe of a common nature in every fpe- cies of beings iii . 356. Senfe internal and external iii . 375. In touching , tasting , and smelling , we feel ...
Lord Henry Home Kames. which we discover a passion from its external signs ii . 136 . Senfe of a common nature in every fpe- cies of beings iii . 356. Senfe internal and external iii . 375. In touching , tasting , and smelling , we feel ...
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Common terms and phrases
abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word