Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 |
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Page 284
... raise any paffion , it tends greatly to fupport a paffion already raised . Further , mufic , though it cannot of ittelf raise a paffion , prepares us for the paffion that follows : by making chearful , tender , melancholy , or animated ...
... raise any paffion , it tends greatly to fupport a paffion already raised . Further , mufic , though it cannot of ittelf raise a paffion , prepares us for the paffion that follows : by making chearful , tender , melancholy , or animated ...
Page 342
... raised by architecture , grandeur is that which has the greatest influence on the mind . ought therefore to be the chief study of the artist , to raise this emotion in great build- ings . But it seems unhappy for architecture , that it ...
... raised by architecture , grandeur is that which has the greatest influence on the mind . ought therefore to be the chief study of the artist , to raise this emotion in great build- ings . But it seems unhappy for architecture , that it ...
Page 418
... raise in a fpectator ii . 131. & c . Faculty ) by which we know paffion from its external figns ii . 136 . Fairy Queen ... raised by fiction i . 104. & c . Figure ) beauty of i . 248. Definition of a regular fi- gure iii . 389 . Figures ...
... raise in a fpectator ii . 131. & c . Faculty ) by which we know paffion from its external figns ii . 136 . Fairy Queen ... raised by fiction i . 104. & c . Figure ) beauty of i . 248. Definition of a regular fi- gure iii . 389 . Figures ...
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Common terms and phrases
abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word