The Masters of English LiteratureMacmillan, 1904 - 423 pages |
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Page 32
... style and subject his work is deeply tinged with unreality ; with that passion for make - believe which infected the whole of Elizabeth's court and reached its height in the cult of Elizabeth's own person . However one may admire the ...
... style and subject his work is deeply tinged with unreality ; with that passion for make - believe which infected the whole of Elizabeth's court and reached its height in the cult of Elizabeth's own person . However one may admire the ...
Page 84
... style , neither modern nor obsolete , which is most familiar to us in the Gospels . The Essays , much more laboriously written , are less faithful to the genius of English : they are evidently written by a man trying to keep as near as ...
... style , neither modern nor obsolete , which is most familiar to us in the Gospels . The Essays , much more laboriously written , are less faithful to the genius of English : they are evidently written by a man trying to keep as near as ...
Page 90
... style , which pushed the habit of Latinising at times to sheer extravagance , still further inclines the reader to regard him with curiosity rather than understanding . Take , for instance , the opening paragraph of Christian Morals ...
... style , which pushed the habit of Latinising at times to sheer extravagance , still further inclines the reader to regard him with curiosity rather than understanding . Take , for instance , the opening paragraph of Christian Morals ...
Page 92
... style , so leisurely , so involved , and so highly coloured . Within our own time we have seen a great master of prose , R. L. Stevenson , depart deliberately from the more classical ideals of simplicity and model himself on these ...
... style , so leisurely , so involved , and so highly coloured . Within our own time we have seen a great master of prose , R. L. Stevenson , depart deliberately from the more classical ideals of simplicity and model himself on these ...
Page 136
... style . Butler in his own way is as redundant as the Elizabethan dramatists , as affluent as Milton . His object is to accumulate rather than to refine , and there is hardly a passage in his writings which could not be strengthened by ...
... style . Butler in his own way is as redundant as the Elizabethan dramatists , as affluent as Milton . His object is to accumulate rather than to refine , and there is hardly a passage in his writings which could not be strengthened by ...
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Popular passages
Page 143 - Changed his hand, and check'd his pride. He chose a mournful muse, Soft pity to infuse: He sung Darius great and good! ~By too severe a fate, Fallen! fallen! fallen! fallen! Fallen from his high estate, And weltering in his blood!
Page 270 - Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me: "Pipe a song about a Lamb!' So I piped with merry cheer. 'Piper, pipe that song again;
Page 330 - But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind. With tranquil restoration...
Page 112 - Thus with the year Seasons return; but not to me returns Day, or the sweet approach of even or morn, Or sight of vernal bloom, or summer's rose, Or flocks, or herds, or human face divine...
Page 100 - Oft, on a plat of rising ground, I hear the far-off curfew sound, Over some wide-watered shore Swinging slow with sullen roar; Or, if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, 80 Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Page 241 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless, and grand : His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Page 117 - O'er other creatures : yet when I approach Her loveliness, so absolute she seems, And in herself complete, so well to know Her own, that what she wills to do or say Seems wisest, virtuousest, discreetest, best...
Page 365 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again...
Page 243 - In all my wanderings round this world of care, In all my griefs, — and God has given my share, — I still had hopes, my latest hours to crown, Amidst these humble bowers to lay me down ; To husband out life's taper at the close, And keep the flame from wasting by repose.
Page 344 - Lyrical Ballads^; in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic; yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith.