Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these... Adrienne Rich: The Moment of Change - Page 25by Cheri Colby Langdell - 2004 - 277 pagesLimited preview - About this book
 | 1922 - 276 pages
...emotion ; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. TS ELIOT BOOKS FICTION. THE GARDEN PARTY, and other Stories. By Katherine Mansfield. (Constable... | |
 | Irving Babbitt, Van Wyck Brooks, William Crary Brownell, Ernest Augustus Boyd, Thomas Stearns Eliot, Henry Louis Mencken, Stuart Pratt Sherman, Joel Elias Spingarn, George Edward Woodberry - 1924 - 342 pages
...emotion; it is not the expression of personality, ..but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. 226 in This essay proposes to halt at the frontier of metaphysics or mysticism, and confine... | |
 | Irving Babbitt, Van Wyck Brooks, William Crary Brownell, Ernest Augustus Boyd, Thomas Stearns Eliot, Henry Louis Mencken, Stuart Pratt Sherman, Joel Elias Spingarn, George Edward Woodberry - 1924 - 342 pages
...from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. m This essay proposes to halt at the frontier of metaphysics or mysticism, and confine itself... | |
 | Mark Richardson, Carolyn Richardson - 1997 - 296 pages
...from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things" (Selected Essays 10-1 1 ). He has in mind exactly the sort of readers and writers Frost acknowledges... | |
 | Robert Andrews - 1997 - 666 pages
...from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. TS (THOMAS STEARNS) ELIOT, (1888-1965) Anglo-American poet, critic. "Tradition and the Individual... | |
 | T. S. Eliot - 1997 - 146 pages
...from emotion; it is not the expression of personality, hut an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. IIl 6 Se ims an»s deioTepov n KOI'L airaQes Am* This essay proposes to halt at the frontier... | |
 | Lawrence Danson - 1997 - 214 pages
...from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape those things. '^ This is an earnest way of saying, as Gilbert says in The Critic as Artist', that 'All... | |
 | Hugh Witemeyer - 1997 - 284 pages
...language: a prostitute's lips become "the vehicle of a vague speech."36 "Only those," as Eliot remarked, "who have personality and emotions know what it means to want to escape from these things."37 Stephen Dedalus's desire to escape — escape from problems for which, at the time, Freud... | |
 | Vassiliki Kolocotroni, Jane Goldman, Olga Taxidou - 1998 - 658 pages
...emotion; it is not the expression of personality, but an escape from personality'. But, of course, only those who have personality and emotions know what it means to want to escape from these things. ó ôè voûç iacoç oevóiepóv TV Kai àrcaGéç èoiw. This essay proposes to halt at the... | |
 | Jonathan Holden - 1999 - 172 pages
...personality; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. Mary Kinzie, like all of the best postmodern poets, does not use disguises; but she is a formalist... | |
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