A Key to the Classical Pronunciation of Greek, Latin and Scripture Proper Names: In which the Words are Accented and Divided Into Syllables Exactly as They Ought to be Pronounced, According to Rules Drawn from Analogy and the Best Usage : to which are Added, Terminational Vocabularies of Hebrew, Greek and Latiln Proper Names, in which the Words are Arranged According to Their Final Syllables, and Classed According to Their Accents : by which the General Analogy of Pronunciation May be Seen at One View, and the Accentuation of Each Word More Earily Remembered : Concluding with Observations on the Greek and Latin Accent and Quantity : with Some Probable Conjectures on the Method of Freeing Them from the Obscurity and Confusion in which They are Involved, Both by the Ancients and Moderns ... |
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Page 98
making it one syllable only , and consequently pronouncing it so as to rhyme with tone : Not that Nepenthe , which the wife of Thone , In Egypt , gave to Jove - born Helena , Is of such pow'r to stir up joy as this Comus .
making it one syllable only , and consequently pronouncing it so as to rhyme with tone : Not that Nepenthe , which the wife of Thone , In Egypt , gave to Jove - born Helena , Is of such pow'r to stir up joy as this Comus .
Page 173
... the o in tone , and the u in tune , which is the rule he lays down for all similar words . 3. Every final i forming a distinct syllable , though unaccented , has the long open sound , as A'i , A - ris'a - i .
... the o in tone , and the u in tune , which is the rule he lays down for all similar words . 3. Every final i forming a distinct syllable , though unaccented , has the long open sound , as A'i , A - ris'a - i .
Page 241
Singing and speaking tones as essentially distinct as motion and rest ib . Recitative real singing , and not a medium between singing and speaking ib . The true definition of English accent - 256 Mr. Forster's error with respect to the ...
Singing and speaking tones as essentially distinct as motion and rest ib . Recitative real singing , and not a medium between singing and speaking ib . The true definition of English accent - 256 Mr. Forster's error with respect to the ...
Page 244
... in a high or low tone also ; and feebleness seems to be softness and slowness , either in a high or a low tone likewise . As to the tones of the passions , which are so many and various , these , in the opinion of one of the best ...
... in a high or low tone also ; and feebleness seems to be softness and slowness , either in a high or a low tone likewise . As to the tones of the passions , which are so many and various , these , in the opinion of one of the best ...
Page 245
Thus high may be combined with either loud or soft , quick or slow ; that is , a high note may be sounded either in a loud or soft tone , and a low note may be sounded either in a loud or a soft tone also , and each of these tones may ...
Thus high may be combined with either loud or soft , quick or slow ; that is , a high note may be sounded either in a loud or soft tone , and a low note may be sounded either in a loud or a soft tone also , and each of these tones may ...
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Common terms and phrases
accent and quantity Accent the Antepenultimate Accent the Penultimate accented syllable according acute accent adjective adopted alter analogy ancients anglicised antepenultimate syllable appears Assyria beginning called cent circumflex common consonants Critical Dictionary diphthong distinct ending English English pronunciation English words exactly express falling final followed former frequently give Gouldman grave Greek and Latin hear Hebrew higher Holyoke idea inflexion Initial Vocabulary Labbe language Latin Proper Names learned Lempriere letters long quantity loud lower manner mean Milton nature necessarily nounced observed opinion penultimate syllable place the accent preceding prefer prefixed present preserve produce pronounced pronunciation prosodists question reading reason respect rising Rule says scholars seems sentence short singing soft sometimes sound speaking suppose tells termination three syllables tone true unaccented verse voice vowel writer written
Popular passages
Page 218 - Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That shepherd, who first taught the chosen seed, In the beginning how the heavens and earth Rose out of chaos...
Page 60 - You all did see, that on the Lupercal, I thrice presented him a kingly crown, Which he did thrice refuse.
Page 284 - Though deep yet clear, though gentle yet not dull ; Strong without rage, without o'erflowing full.
Page 267 - In nnaqnaque parle orationis arsis et thesis sunt velut in " hac parte natura : ut quando dico natu, elevatur vox et est arsis in tu : " quando vero ra deprimitur vox et est thesis." Any one would conclude from this description of the rising and falling of the voice upon this word, that it could only be pronounced one way, and that there was no difference...
Page 255 - It is well known, however, that the resistance to a change, whether from a low to a high, or from a high to a low range of prices, is at first very considerable, and that there is generally a pause of greater or less duration before the turn becomes manifest ; in the interval, while sales are difficult or impracticable, unless at a difference in price, which the buyer, in the one case, and the seller, in the other...
Page 248 - Suspends the infant audience with her tales, Breathing astonishment! of witching rhymes, And evil spirits; of the death-bed call Of him who robb'd the widow, and devour'd...
Page 248 - O yes ! 0 yes ! in a perfect sameness of Voice. But however ridiculous the monotone in speaking may be in the above-mentioned characters, in certain solemn and sublime passages in poetry it has a wonderful...
Page xxviii - Words of two syllables, either Greek or Latin, whatever be the quantity in the original, have, in English pronunciation, the accent on the first syllable : and if a single consonant come between...
Bibliographic information
| Title | A Key to the Classical Pronunciation of Greek, Latin and Scripture Proper Names: In which the Words are Accented and Divided Into Syllables Exactly as They Ought to be Pronounced, According to Rules Drawn from Analogy and the Best Usage : to which are Added, Terminational Vocabularies of Hebrew ... |
| Author | John Walker |
| Publisher | authors, 1804 |
| Original from | Princeton University |
| Digitized | 15 Apr 2008 |
| Length | 285 pages |
| Export Citation | BiBTeX EndNote RefMan |