Cinema of Flames: Balkan Film, Culture and the MediaBritish Film Institute, 2001 - 322 pages First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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Page 51
... become so numb that I cannot see its dimensions and feel its depths anymore ? ( ibid . , p . 62 ) The Frenchman remains unnamed , and soon after this encounter Karahasan directs his bitterness to ' the West ' in general . In another ...
... become so numb that I cannot see its dimensions and feel its depths anymore ? ( ibid . , p . 62 ) The Frenchman remains unnamed , and soon after this encounter Karahasan directs his bitterness to ' the West ' in general . In another ...
Page 74
... become the foundations of ' first drafts of history ' . It is the degree to which past events fit the explanatory needs of the present that matters the most in such a selection process , and the reconstruction can easily turn into ...
... become the foundations of ' first drafts of history ' . It is the degree to which past events fit the explanatory needs of the present that matters the most in such a selection process , and the reconstruction can easily turn into ...
Page 81
... become a traitor , and is shot . - The movie depicts the growing hostility between Albanians and Macedonians in a region with a mixed population . At the end of the twentieth century , the principle of an eye for an eye still prevails ...
... become a traitor , and is shot . - The movie depicts the growing hostility between Albanians and Macedonians in a region with a mixed population . At the end of the twentieth century , the principle of an eye for an eye still prevails ...
Contents
War in the Balkans Moving Images | 5 |
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Copyright | |
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