The Works of John Ruskin: Modern paintersG. Allen, 1903 |
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Page xxxv
... material gathered by him in 1845. After leaving Faido , he met J. D. Harding at Baveno , and with him went by Como , Bergamo , Desenzano and Verona to Venice . first they were both pre - occupied with sketching . But one day , after ...
... material gathered by him in 1845. After leaving Faido , he met J. D. Harding at Baveno , and with him went by Como , Bergamo , Desenzano and Verona to Venice . first they were both pre - occupied with sketching . But one day , after ...
Page xlii
... material , - the imponderable beauties of creation against those gross realities which everywhere so much prevail . " The second volume did not , however , escape some contempt and abuse . The Athenæum ( July 25 , 1846 , No. 978 , pp ...
... material , - the imponderable beauties of creation against those gross realities which everywhere so much prevail . " The second volume did not , however , escape some contempt and abuse . The Athenæum ( July 25 , 1846 , No. 978 , pp ...
Page xliv
... materials for such instruction are abundant , but scattered , little accessible , and , in some instances , passing away . Of the frescoes of Giotto , Orcagna , Ghirlandajo , much which has never been delineated , nor even properly ...
... materials for such instruction are abundant , but scattered , little accessible , and , in some instances , passing away . Of the frescoes of Giotto , Orcagna , Ghirlandajo , much which has never been delineated , nor even properly ...
Page xlix
... materials for the first draft of the volume , and ( 2 ) the MS . of the volume in its published form . Several additional passages from the former source , and one from the latter , are printed in the Appendix ; they were carefully ...
... materials for the first draft of the volume , and ( 2 ) the MS . of the volume in its published form . Several additional passages from the former source , and one from the latter , are printed in the Appendix ; they were carefully ...
Page 18
... Material analogy with Imagination 234 § 9. The grasp and dignity of Imagination 235 § 10. Its limits 236 § 11. How manifested in treatment of uncertain relations . Its deficiency illustrated 237 § 12. Laws of art , the safeguard of the ...
... Material analogy with Imagination 234 § 9. The grasp and dignity of Imagination 235 § 10. Its limits 236 § 11. How manifested in treatment of uncertain relations . Its deficiency illustrated 237 § 12. Laws of art , the safeguard of the ...
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Common terms and phrases
Angelico angels animals artist Baveno Benozzo Gozzoli chapter character Christ clouds colour conceive conception Correggio creature dark delight Deucalion dignity Divine drawing edition expression eyes Fancy farther feeling Florence Fra Angelico Fra Bartolommeo fresco Gallery Giotto glory hand heart human ideal illustration imagination impressions instance John Ruskin kind landscape Laocoon Last Judgment letter light lines look lower Madonna Michael Angelo mind Mino da Fiesole Modern Painters moral mountains nature never noble object observed operation painful painted Palace passage passion perfect Perugino picture Pisa pleasure Præterita proportion pure purity Raffaelle reader reads reference repose respect Rocco Ruskin Scuola di San second volume seen sense sensual spirit Stones of Venice sublime taste Theoretic faculty things thought Tintoret Tintoretto tion Titian truth typical beauty unity Venetian VITAL BEAUTY volume of Modern word
Popular passages
Page 39 - Therefore rejoice ye heavens, and ye that dwell in them. Woe to the Inhabiters of the earth and of the sea! for the devil is come down unto you, having great wrath, because he knoweth that he hath but a short time.
Page 249 - Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?
Page 219 - Under the opening eyelids of the morn, We drove a-field, and both together heard What time the gray-fly winds her sultry horn...
Page 30 - He hath made every thing beautiful in his time: also he hath set the world in their heart, so that no man can find out the work that God maketh from the beginning to the end.
Page 245 - And fuelled entrails thence conceiving fire, Sublimed* with mineral fury, aid the winds, And leave a singed bottom all involved With stench and smoke: such resting found the sole Of unblest feet.
Page 300 - The stream of thought, till he lay breathing there At peace, and faintly smiling. His last sight Was the great moon, which o'er the western line Of the wide world her mighty horn suspended, With whose dun beams inwoven darkness seemed To mingle.
Page 375 - Richard : no man cried, God save him ; No joyful tongue gave him his welcome home; But dust was thrown upon his sacred head, Which with such gentle sorrow he shook off, His face still combating with tears and smiles, The badges of his grief and patience, That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Page 145 - One lesson, shepherd, let us two divide, Taught both by what she shows, and what conceals • Never to blend our pleasure or our pride With sorrow of the meanest thing that feels.
Page 48 - I rose up to open to my beloved; and my hands dropped with myrrh, and my fingers with sweet smelling myrrh, upon the handles of the lock.
Page 287 - I see thee glittering from afar : — And then thou art a pretty star Not quite so fair as many are In heaven above thee ! Yet like a star, with glittering crest, Self-poised in air, thou seem'st to rest ; May peace come never to his nest Who shall reprove thee...