Poetry, Space, Landscape: Toward a New Theory
Cambridge University Press, 1995 M04 20 - 322 pages
Why was the art of landscape painting invented in the fifth century BC, abandoned with the collapse of Rome, and revived again in the High Middle Ages? Did the Greeks, or the ancient Christians perceive the natural world differently from the way we do now? In Poetry, Space, Landscape, Chris Fitter traces the history of nature-sensibility from the ancient world to the English Renaissance, setting poems and paintings in the widely differing cultural contexts that created them. He suggests a new social and historical theory of the conceptualisation of space, explaining the rise and fall of the idea of 'landscape'. And he argues that enduring basic categories of perception create different readings of natural reality determined by our social and material relations with nature.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
active aesthetic Ages agricultural ancient animals antiquity appears Augustine beauty become Book Christian Church City civilization classical close Complete conception concern contemporary contrast countryside creation culture derives divine early earth empirical English experience Fathers field figures flowers forest fruit further garden Greek Harmondsworth heaven hills House human ideal imagination interest Italy John labour land landscape landskip late light lines literature living London Lost Marvell material medieval Middle Milton mind mountain nature Oxford painting Paradise pastoral perception perhaps pictorial pleasure Poems poetic poetry poets Politics praise produced Psalms relation religious Renaissance rhetoric river Roman rural seen sense sensibility seventeenth century social space spirit spring structure suggest sweet symbolic Testament things thought tradition trans trees universe urban verse vision whilst whole writes