Lermontov: A Study in Literary-historical EvaluationArdis, 1981 - 190 pages |
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Page 19
... becomes en- crusted with epigones and begins to degenerate , and another , inspired by a re- birth of old traditions , begins anew to attract attention to itself . At the mo- ment of the disintegration of the first , yet a third ...
... becomes en- crusted with epigones and begins to degenerate , and another , inspired by a re- birth of old traditions , begins anew to attract attention to itself . At the mo- ment of the disintegration of the first , yet a third ...
Page 170
... becomes the basic formal slogan of Russian literature from the 40s through the 60s ( " realism " ) . The Russian psychological novel becomes possible after A Hero of Our Time , although from Lermontov's prose a direct literary ...
... becomes the basic formal slogan of Russian literature from the 40s through the 60s ( " realism " ) . The Russian psychological novel becomes possible after A Hero of Our Time , although from Lermontov's prose a direct literary ...
Page 174
... becomes dominant for a time . Commencing with the sharpest contrast with respect to the customary canon , and thereby gaining for itself a revolutionary position , henceforth it softens the sharpness of its own principles and makes them ...
... becomes dominant for a time . Commencing with the sharpest contrast with respect to the customary canon , and thereby gaining for itself a revolutionary position , henceforth it softens the sharpness of its own principles and makes them ...
Contents
Introduction B M Eikhenbaum | 9 |
Youthful Verse | 21 |
Verse of the Second Period 18361841 | 89 |
Copyright | |
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Aleksandr already appearance ballad basic beginning Bela Boyar Orsha Bronze Horseman Byron Caucasus chapter character characteristic comic Confession death declamatory Demon developed devices Die Räuber dream elegy emotional entire epoch everything expression fate feminine rhymes formulae genres Hamlet hero historical iambic iambic pentameter intonation Izmail-Bei Kozlov language large form Lermon Lermontov Lermontov's poetry Lermontov's youthful linked literary literature lyric poetry Maksim Maksimych Marlinsky masculine rhymes material meditation montov motivation narrative form narrative poem narrator novel Novice Odoevsky oratorical passions Pechorin plot Podolinsky poet poetic Polezhaev precisely Princess Ligovskaya Prisoner Prisoner of Chillon prose Pushkin readers rhythmic Russian language Russian poetry Sashka scene semantic Senkovsky Shakespeare Shevyryov simile song soul speech stanza storm story Sturm und Drang style stylistic tale tendency thought tion traditional Vadim verse line words writes Zhukovsky Zhukovsky's был все его есть их любил мир мне мог моей ни он ты храм