Lermontov: A Study in Literary-historical EvaluationArdis, 1981 - 190 pages |
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Page 32
... beginning of the 30s Russian folklore had entered into literature definitively as a special stylistic variety . Lermontov , understanding the importance of this tradition , notes in 1830 : " If I should wish to delve into folk poetry ...
... beginning of the 30s Russian folklore had entered into literature definitively as a special stylistic variety . Lermontov , understanding the importance of this tradition , notes in 1830 : " If I should wish to delve into folk poetry ...
Page 98
... beginning of the second chapter there is a scene near the monastery , after that a refectory with a detailed description of its fur- nishings ; only after this does Arseny's speech begin , in which we recognize the words of the Spanish ...
... beginning of the second chapter there is a scene near the monastery , after that a refectory with a detailed description of its fur- nishings ; only after this does Arseny's speech begin , in which we recognize the words of the Spanish ...
Page 167
... beginning , but in the VI chapter of the first day : " It is very well known to every fancier of read- ing to what degree every preface is unbearable , particularly when the gentle- man writer , still unsure whether or not the reading ...
... beginning , but in the VI chapter of the first day : " It is very well known to every fancier of read- ing to what degree every preface is unbearable , particularly when the gentle- man writer , still unsure whether or not the reading ...
Contents
Introduction B M Eikhenbaum | 9 |
Youthful Verse | 21 |
Verse of the Second Period 18361841 | 89 |
Copyright | |
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Aleksandr already appearance ballad basic beginning Bela Boyar Orsha Bronze Horseman Byron Caucasus chapter character characteristic comic Confession death declamatory Demon developed devices Die Räuber dream elegy emotional entire epoch everything expression fate feminine rhymes formulae genres Hamlet hero historical iambic iambic pentameter intonation Izmail-Bei Kozlov language large form Lermon Lermontov Lermontov's poetry Lermontov's youthful linked literary literature lyric poetry Maksim Maksimych Marlinsky masculine rhymes material meditation montov motivation narrative form narrative poem narrator novel Novice Odoevsky oratorical passions Pechorin plot Podolinsky poet poetic Polezhaev precisely Princess Ligovskaya Prisoner Prisoner of Chillon prose Pushkin readers rhythmic Russian language Russian poetry Sashka scene semantic Senkovsky Shakespeare Shevyryov simile song soul speech stanza storm story Sturm und Drang style stylistic tale tendency thought tion traditional Vadim verse line words writes Zhukovsky Zhukovsky's был все его есть их любил мир мне мог моей ни он ты храм