Lermontov: A Study in Literary-historical EvaluationArdis, 1981 - 190 pages |
From inside the book
Results 1-3 of 19
Page 137
... comic style , satire and parody ( Byron , Musset , Hoffman , Gogol ) . Artistic devices per se lie outside these categories ; an impression of the tragic or the comic is produced due to one or another psychological moti- vations which ...
... comic style , satire and parody ( Byron , Musset , Hoffman , Gogol ) . Artistic devices per se lie outside these categories ; an impression of the tragic or the comic is produced due to one or another psychological moti- vations which ...
Page 138
... comic style and even to self - parody . His first experiments in this sphere date from as far back as 1830 with ' The Boulevard " and " Asmodey's Feast . " A notation dates from this year : " Curse everyone in the next satire and only ...
... comic style and even to self - parody . His first experiments in this sphere date from as far back as 1830 with ' The Boulevard " and " Asmodey's Feast . " A notation dates from this year : " Curse everyone in the next satire and only ...
Page 167
... comic narrative poem , in the other between an emotional - rhetorical style of narration , wherein the author merges with the hero , and the style of an out- side observer or narrator proper . In Princess Ligovskaya Lermontov plainly ...
... comic narrative poem , in the other between an emotional - rhetorical style of narration , wherein the author merges with the hero , and the style of an out- side observer or narrator proper . In Princess Ligovskaya Lermontov plainly ...
Contents
Introduction B M Eikhenbaum | 9 |
Youthful Verse | 21 |
Verse of the Second Period 18361841 | 89 |
Copyright | |
2 other sections not shown
Other editions - View all
Common terms and phrases
Aleksandr already appearance ballad basic beginning Bela Boyar Orsha Bronze Horseman Byron Caucasus chapter character characteristic comic Confession death declamatory Demon developed devices Die Räuber dream elegy emotional entire epoch everything expression fate feminine rhymes formulae genres Hamlet hero historical iambic iambic pentameter intonation Izmail-Bei Kozlov language large form Lermon Lermontov Lermontov's poetry Lermontov's youthful linked literary literature lyric poetry Maksim Maksimych Marlinsky masculine rhymes material meditation montov motivation narrative form narrative poem narrator novel Novice Odoevsky oratorical passions Pechorin plot Podolinsky poet poetic Polezhaev precisely Princess Ligovskaya Prisoner Prisoner of Chillon prose Pushkin readers rhythmic Russian language Russian poetry Sashka scene semantic Senkovsky Shakespeare Shevyryov simile song soul speech stanza storm story Sturm und Drang style stylistic tale tendency thought tion traditional Vadim verse line words writes Zhukovsky Zhukovsky's был все его есть их любил мир мне мог моей ни он ты храм