Lermontov: A Study in Literary-historical EvaluationArdis, 1981 - 190 pages |
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Page 25
... follows : Wants to call out to his faithful detachment And his. The Circassians cover the field , Like Lions they overrun our ranks Sword resoundingly clashes with sword And with one stroke a brave is no more A shell drones in the ...
... follows : Wants to call out to his faithful detachment And his. The Circassians cover the field , Like Lions they overrun our ranks Sword resoundingly clashes with sword And with one stroke a brave is no more A shell drones in the ...
Page 167
... follows upon it : " George sat her down on a chair , ran headlong down the stairs and gal- loped home . " The parodic quality is underscored by an address to the readers immediately thereafter : " Until now , dear readers , you have ...
... follows upon it : " George sat her down on a chair , ran headlong down the stairs and gal- loped home . " The parodic quality is underscored by an address to the readers immediately thereafter : " Until now , dear readers , you have ...
Page 167
... follows ( " We came out of the hut , " etc. ) as well as the continuation of the journey , which suddenly is interrupted by the author's question , directly addressed to the reader : " But perhaps you wish to know the conclusion of ...
... follows ( " We came out of the hut , " etc. ) as well as the continuation of the journey , which suddenly is interrupted by the author's question , directly addressed to the reader : " But perhaps you wish to know the conclusion of ...
Contents
Introduction B M Eikhenbaum | 9 |
Youthful Verse | 21 |
Verse of the Second Period 18361841 | 89 |
Copyright | |
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Common terms and phrases
Aleksandr already appearance ballad basic beginning Bela Boyar Orsha Bronze Horseman Byron Caucasus chapter character characteristic comic Confession death declamatory Demon developed devices Die Räuber dream elegy emotional entire epoch everything expression fate feminine rhymes formulae genres Hamlet hero historical iambic iambic pentameter intonation Izmail-Bei Kozlov language large form Lermon Lermontov Lermontov's poetry Lermontov's youthful linked literary literature lyric poetry Maksim Maksimych Marlinsky masculine rhymes material meditation montov motivation narrative form narrative poem narrator novel Novice Odoevsky oratorical passions Pechorin plot Podolinsky poet poetic Polezhaev precisely Princess Ligovskaya Prisoner Prisoner of Chillon prose Pushkin readers rhythmic Russian language Russian poetry Sashka scene semantic Senkovsky Shakespeare Shevyryov simile song soul speech stanza storm story Sturm und Drang style stylistic tale tendency thought tion traditional Vadim verse line words writes Zhukovsky Zhukovsky's был все его есть их любил мир мне мог моей ни он ты храм