Lermontov: A Study in Literary-historical EvaluationArdis, 1981 - 190 pages |
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Page 163
... narration , wherein the author merges with the hero , and the style of an out- side observer or narrator proper . In Princess Ligovskaya Lermontov plainly vacillates even in the selection of the material itself as well as in the placing ...
... narration , wherein the author merges with the hero , and the style of an out- side observer or narrator proper . In Princess Ligovskaya Lermontov plainly vacillates even in the selection of the material itself as well as in the placing ...
Page 164
... narrator , etc. We find all of this in Lermontov . Having dropped the idea of constructing a unitary story , Lermontov thereby rid himself of the need to introduce a biography of his characters into the novel ( Vorgeschichte ) ...
... narrator , etc. We find all of this in Lermontov . Having dropped the idea of constructing a unitary story , Lermontov thereby rid himself of the need to introduce a biography of his characters into the novel ( Vorgeschichte ) ...
Page 167
... narration , wherein the author merges with the hero , and the style of an out- side observer or narrator proper . In Princess Ligovskaya Lermontov plainly vacillates even in the selection of the material itself as well as in the placing ...
... narration , wherein the author merges with the hero , and the style of an out- side observer or narrator proper . In Princess Ligovskaya Lermontov plainly vacillates even in the selection of the material itself as well as in the placing ...
Contents
Introduction B M Eikhenbaum | 9 |
Youthful Verse | 21 |
Verse of the Second Period 18361841 | 89 |
Copyright | |
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Aleksandr already appearance ballad basic beginning Bela Boyar Orsha Bronze Horseman Byron Caucasus chapter character characteristic comic Confession death declamatory Demon developed devices Die Räuber dream elegy emotional entire epoch everything expression fate feminine rhymes formulae genres Hamlet hero historical iambic iambic pentameter intonation Izmail-Bei Kozlov language large form Lermon Lermontov Lermontov's poetry Lermontov's youthful linked literary literature lyric poetry Maksim Maksimych Marlinsky masculine rhymes material meditation montov motivation narrative form narrative poem narrator novel Novice Odoevsky oratorical passions Pechorin plot Podolinsky poet poetic Polezhaev precisely Princess Ligovskaya Prisoner Prisoner of Chillon prose Pushkin readers rhythmic Russian language Russian poetry Sashka scene semantic Senkovsky Shakespeare Shevyryov simile song soul speech stanza storm story Sturm und Drang style stylistic tale tendency thought tion traditional Vadim verse line words writes Zhukovsky Zhukovsky's был все его есть их любил мир мне мог моей ни он ты храм