Lermontov: A Study in Literary-historical EvaluationArdis, 1981 - 190 pages |
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Page 147
A Study in Literary-historical Evaluation Борис Михайлович Эйхенбаум. CHAPTER III : PROSE 1 The appearance of prose in Lermontov is linked to his disappointment in the narrative poems and dramas to which he had devoted so much effort in ...
A Study in Literary-historical Evaluation Борис Михайлович Эйхенбаум. CHAPTER III : PROSE 1 The appearance of prose in Lermontov is linked to his disappointment in the narrative poems and dramas to which he had devoted so much effort in ...
Page 155
... prose is remarkable as a model of mastery in plot construction , but there is no resolution in it of those stylistic problems which the prose of the 30s posed . The " simplicity " of Pushkin's prose is ar- tificial ; it is constructed ...
... prose is remarkable as a model of mastery in plot construction , but there is no resolution in it of those stylistic problems which the prose of the 30s posed . The " simplicity " of Pushkin's prose is ar- tificial ; it is constructed ...
Page 175
... prose . ” P. Efremov also speaks in these same words ( the 1873 edition ) : " Our intention was above all that the reader should encounter that Lermontov whom he himself wished to be in the eyes of so- ciety , and for this reason we ...
... prose . ” P. Efremov also speaks in these same words ( the 1873 edition ) : " Our intention was above all that the reader should encounter that Lermontov whom he himself wished to be in the eyes of so- ciety , and for this reason we ...
Contents
Introduction B M Eikhenbaum | 9 |
Youthful Verse | 21 |
Verse of the Second Period 18361841 | 89 |
Copyright | |
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Aleksandr already appearance ballad basic beginning Bela Boyar Orsha Bronze Horseman Byron Caucasus chapter character characteristic comic Confession death declamatory Demon developed devices Die Räuber dream elegy emotional entire epoch everything expression fate feminine rhymes formulae genres Hamlet hero historical iambic iambic pentameter intonation Izmail-Bei Kozlov language large form Lermon Lermontov Lermontov's poetry Lermontov's youthful linked literary literature lyric poetry Maksim Maksimych Marlinsky masculine rhymes material meditation montov motivation narrative form narrative poem narrator novel Novice Odoevsky oratorical passions Pechorin plot Podolinsky poet poetic Polezhaev precisely Princess Ligovskaya Prisoner Prisoner of Chillon prose Pushkin readers rhythmic Russian language Russian poetry Sashka scene semantic Senkovsky Shakespeare Shevyryov simile song soul speech stanza storm story Sturm und Drang style stylistic tale tendency thought tion traditional Vadim verse line words writes Zhukovsky Zhukovsky's был все его есть их любил мир мне мог моей ни он ты храм