Lermontov: A Study in Literary-historical EvaluationArdis, 1981 - 190 pages |
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Page 83
... stanzas cited and the beginning of the second correspond to the III - IV stanzas of ' ' Sashka , " and the remainder is taken from stanzas ... stanza III from ' ' Sashka " to " To the Memory of A. I. Odoevsky , ” Lermontov preserved its 83.
... stanzas cited and the beginning of the second correspond to the III - IV stanzas of ' ' Sashka , " and the remainder is taken from stanzas ... stanza III from ' ' Sashka " to " To the Memory of A. I. Odoevsky , ” Lermontov preserved its 83.
Page 129
... stanza ( the first 3 stanzas are in the Alex- andrine verse line , the fourth is shortened ) is typical of French ... stanza are invested with special semantic and expressive force : the main pointes of the ode are concentrated here ...
... stanza ( the first 3 stanzas are in the Alex- andrine verse line , the fourth is shortened ) is typical of French ... stanza are invested with special semantic and expressive force : the main pointes of the ode are concentrated here ...
Page 142
... ( Stanza XVIII . ) In Byron's description of Lora ( stanza 23 ) : Indeed she schone ( sic ) all smiles , and seem's to flatter Mankind with her black eyes for looking at her . Lermontov says concerning Sashka's fascination with one of the ...
... ( Stanza XVIII . ) In Byron's description of Lora ( stanza 23 ) : Indeed she schone ( sic ) all smiles , and seem's to flatter Mankind with her black eyes for looking at her . Lermontov says concerning Sashka's fascination with one of the ...
Contents
Introduction B M Eikhenbaum | 9 |
Youthful Verse | 21 |
Verse of the Second Period 18361841 | 89 |
Copyright | |
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Aleksandr already appearance ballad basic beginning Bela Boyar Orsha Bronze Horseman Byron Caucasus chapter character characteristic comic Confession death declamatory Demon developed devices Die Räuber dream elegy emotional entire epoch everything expression fate feminine rhymes formulae genres Hamlet hero historical iambic iambic pentameter intonation Izmail-Bei Kozlov language large form Lermon Lermontov Lermontov's poetry Lermontov's youthful linked literary literature lyric poetry Maksim Maksimych Marlinsky masculine rhymes material meditation montov motivation narrative form narrative poem narrator novel Novice Odoevsky oratorical passions Pechorin plot Podolinsky poet poetic Polezhaev precisely Princess Ligovskaya Prisoner Prisoner of Chillon prose Pushkin readers rhythmic Russian language Russian poetry Sashka scene semantic Senkovsky Shakespeare Shevyryov simile song soul speech stanza storm story Sturm und Drang style stylistic tale tendency thought tion traditional Vadim verse line words writes Zhukovsky Zhukovsky's был все его есть их любил мир мне мог моей ни он ты храм