Lermontov: A Study in Literary-historical EvaluationArdis, 1981 - 190 pages |
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Page 164
... story . In this fashion Lermontov turns to that form which is characteristic of the prose of the 30s ; he imparts to it a finished quality , mo- tivating the joining of the tales not only externally but also internally through the unity ...
... story . In this fashion Lermontov turns to that form which is characteristic of the prose of the 30s ; he imparts to it a finished quality , mo- tivating the joining of the tales not only externally but also internally through the unity ...
Page 167
... story . In this fashion Lermontov turns to that form which is characteristic of the prose of the 30s ; he imparts to it a finished quality , mo- tivating the joining of the tales not only externally but also internally through the unity ...
... story . In this fashion Lermontov turns to that form which is characteristic of the prose of the 30s ; he imparts to it a finished quality , mo- tivating the joining of the tales not only externally but also internally through the unity ...
Page 167
... story before he , in fact , began to tell his story . Thus , either wait or , if you wish , turn ahead several pages ; only I do not advise you to do this because the crossing of Krestovaya Mountain ( or , as the scholar Ham calls it ...
... story before he , in fact , began to tell his story . Thus , either wait or , if you wish , turn ahead several pages ; only I do not advise you to do this because the crossing of Krestovaya Mountain ( or , as the scholar Ham calls it ...
Contents
Introduction B M Eikhenbaum | 9 |
Youthful Verse | 21 |
Verse of the Second Period 18361841 | 89 |
Copyright | |
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Aleksandr already appearance ballad basic beginning Bela Boyar Orsha Bronze Horseman Byron Caucasus chapter character characteristic comic Confession death declamatory Demon developed devices Die Räuber dream elegy emotional entire epoch everything expression fate feminine rhymes formulae genres Hamlet hero historical iambic iambic pentameter intonation Izmail-Bei Kozlov language large form Lermon Lermontov Lermontov's poetry Lermontov's youthful linked literary literature lyric poetry Maksim Maksimych Marlinsky masculine rhymes material meditation montov motivation narrative form narrative poem narrator novel Novice Odoevsky oratorical passions Pechorin plot Podolinsky poet poetic Polezhaev precisely Princess Ligovskaya Prisoner Prisoner of Chillon prose Pushkin readers rhythmic Russian language Russian poetry Sashka scene semantic Senkovsky Shakespeare Shevyryov simile song soul speech stanza storm story Sturm und Drang style stylistic tale tendency thought tion traditional Vadim verse line words writes Zhukovsky Zhukovsky's был все его есть их любил мир мне мог моей ни он ты храм