Lermontov: A Study in Literary-historical EvaluationArdis, 1981 - 190 pages |
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Page 10
... tion which plays an auxiliary role . We are studying not motion in time , but motion as such : a dynamic process which in no way can be fragmented is never interrupted , and precisely for that reason does not possess actual time within ...
... tion which plays an auxiliary role . We are studying not motion in time , but motion as such : a dynamic process which in no way can be fragmented is never interrupted , and precisely for that reason does not possess actual time within ...
Page 70
... tion ; that is why the genius never repeats what he creates . But when passion guides the movement of poetic forces , then an incompleteness and incoher- ence of creation and a repetition of images and scenes is an inevitable con ...
... tion ; that is why the genius never repeats what he creates . But when passion guides the movement of poetic forces , then an incompleteness and incoher- ence of creation and a repetition of images and scenes is an inevitable con ...
Page 119
... tion and are blending with one another . In Lermontov's poetry of 1836-1841 one can observe a vacillation between various styles and genres , and attempts to combine them . The initial fascination with the English verse line ( pauses ...
... tion and are blending with one another . In Lermontov's poetry of 1836-1841 one can observe a vacillation between various styles and genres , and attempts to combine them . The initial fascination with the English verse line ( pauses ...
Contents
Introduction B M Eikhenbaum | 9 |
Youthful Verse | 21 |
Verse of the Second Period 18361841 | 89 |
Copyright | |
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Aleksandr already appearance ballad basic beginning Bela Boyar Orsha Bronze Horseman Byron Caucasus chapter character characteristic comic Confession death declamatory Demon developed devices Die Räuber dream elegy emotional entire epoch everything expression fate feminine rhymes formulae genres Hamlet hero historical iambic iambic pentameter intonation Izmail-Bei Kozlov language large form Lermon Lermontov Lermontov's poetry Lermontov's youthful linked literary literature lyric poetry Maksim Maksimych Marlinsky masculine rhymes material meditation montov motivation narrative form narrative poem narrator novel Novice Odoevsky oratorical passions Pechorin plot Podolinsky poet poetic Polezhaev precisely Princess Ligovskaya Prisoner Prisoner of Chillon prose Pushkin readers rhythmic Russian language Russian poetry Sashka scene semantic Senkovsky Shakespeare Shevyryov simile song soul speech stanza storm story Sturm und Drang style stylistic tale tendency thought tion traditional Vadim verse line words writes Zhukovsky Zhukovsky's был все его есть их любил мир мне мог моей ни он ты храм