Lermontov: A Study in Literary-historical EvaluationArdis, 1981 - 190 pages |
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Page 14
... verse line once more was motivated as an expression of psy- chic and intellectual ferment , as a natural expressive means . The period of high verse culture was ending ; poetry had to gain for itself a new reader , one who would demand ...
... verse line once more was motivated as an expression of psy- chic and intellectual ferment , as a natural expressive means . The period of high verse culture was ending ; poetry had to gain for itself a new reader , one who would demand ...
Page 103
... verse line , due to the unity and compactness of the rhythmic line , 36 syntactic constructions appear as if freshly invented , even those most used in ordinary speech . The verse line employed by Podolinsky in " The Beg- gar " and by ...
... verse line , due to the unity and compactness of the rhythmic line , 36 syntactic constructions appear as if freshly invented , even those most used in ordinary speech . The verse line employed by Podolinsky in " The Beg- gar " and by ...
Page 147
... verse and prose ; he thinks that it would be better to write " The Demon ' ' in prose . This project remains ... line and is based on the principle of contrast to poetic language ; the second type , on the contrary , is oriented toward the ...
... verse and prose ; he thinks that it would be better to write " The Demon ' ' in prose . This project remains ... line and is based on the principle of contrast to poetic language ; the second type , on the contrary , is oriented toward the ...
Contents
Introduction B M Eikhenbaum | 9 |
Youthful Verse | 21 |
Verse of the Second Period 18361841 | 89 |
Copyright | |
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Aleksandr already appearance ballad basic beginning Bela Boyar Orsha Bronze Horseman Byron Caucasus chapter character characteristic comic Confession death declamatory Demon developed devices Die Räuber dream elegy emotional entire epoch everything expression fate feminine rhymes formulae genres Hamlet hero historical iambic iambic pentameter intonation Izmail-Bei Kozlov language large form Lermon Lermontov Lermontov's poetry Lermontov's youthful linked literary literature lyric poetry Maksim Maksimych Marlinsky masculine rhymes material meditation montov motivation narrative form narrative poem narrator novel Novice Odoevsky oratorical passions Pechorin plot Podolinsky poet poetic Polezhaev precisely Princess Ligovskaya Prisoner Prisoner of Chillon prose Pushkin readers rhythmic Russian language Russian poetry Sashka scene semantic Senkovsky Shakespeare Shevyryov simile song soul speech stanza storm story Sturm und Drang style stylistic tale tendency thought tion traditional Vadim verse line words writes Zhukovsky Zhukovsky's был все его есть их любил мир мне мог моей ни он ты храм