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Speak to Me in Those Old Words You Know
Notes on an Amharic Political GhostPlay
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actors Adimu aesthetic African theatre American Artaud artists Athol Fugard attitude audience black theatre Brecht's ceremony characters continuum costumes create Credo Mutwa critics Crossroads culture dance developed dialogue director dramatic performances early African theatre Editor Egungun elements ence entertainment Ethiopia European example experience festival Foreman's formance function Gargi Graham-White homosexuality Ikaki improvisation Ipi-Tombi Jack Gelber language Lefty literary mance mask masquerade Memoirs mime Moise Mutwa Mvelinqangi narrator Nigerian participation performance forms perhaps Peter Handke phase play playwright Poku popular presented production Quitt Review Richard Richard Schechner ritual river S'ketsh satire scene sense singing Sizwe social society song South Africa Soyinka spectators speech stage story theatrical field theory of theatre Threepenny Opera tion traditional drama traditional theatre uHlanga University uNosilimela urban village W.E.B. Du Bois Western wife Williams Winston Ntshona Wole Soyinka Workshop 71 write Yale/Theatre York Yoruba Zulu