To Tell a Story: Narrative Theory and Practice: Papers Read at a Clark Library Seminar, February 4, 1972William Andrews Clark Memorial Library, University of California, 1973 - 102 pages |
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Page 45
... truth , so that Hesperian fables are " if true , here only . " The characteristic movement in Book IV is indicated by the description of Eden ( 4.235-68 ) , which begins with poetic diffidence- " but rather to tell how 45.
... truth , so that Hesperian fables are " if true , here only . " The characteristic movement in Book IV is indicated by the description of Eden ( 4.235-68 ) , which begins with poetic diffidence- " but rather to tell how 45.
Page 80
... tells us that Gorgias was able to develop his stylistic tricks so smoothly because he started " with the initial advantage of hav- ing nothing to say . " Behind all these dissatisfactions stands a single objection : not to the decorous ...
... tells us that Gorgias was able to develop his stylistic tricks so smoothly because he started " with the initial advantage of hav- ing nothing to say . " Behind all these dissatisfactions stands a single objection : not to the decorous ...
Page 90
... tells us that the Old Arcadia is a comedy , that relates the serious fourth book of the Courtier to the comic first three , that sees clearly the profound rhetorical comedy that Chaucer created in the Troilus , that reads rightly the ...
... tells us that the Old Arcadia is a comedy , that relates the serious fourth book of the Courtier to the comic first three , that sees clearly the profound rhetorical comedy that Chaucer created in the Troilus , that reads rightly the ...
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Absalom and Achitophel Acrasia's action Adam Adam's Aeneid Alpers Aristotelian Aristotle Aristotle's Augustan Prose axis beginning Book Bower of Bliss Burke canto Cave of Mammon Century character Clark Library critical term dramatic Dryden Earl Miner ence English epic episode Faerie Queene feel fictional Frye Frye's garden Gondibert Gorgias Guyon Guyon's destruction hence hero human interpretation Lancelot Andrewes language literary experience literature logic man's meaning medias res metaphor middle Milton mimetic mind mode moral movement narration novel object Orlando Furioso Palmer paper Paradise Lost pattern phrase poem poet's poetic Poetry problem prose question reader reality relation rhetorical narrative Roland Barthes seek seems self-conscious sense sentence sequence sermon Seventeenth Seventeenth-century narrative significant simply speeches Spenser stanza story strength relative Structuralist structure style T. S. Eliot tells thing Thucydides tion Western narrative William Andrews Clark word writing