The Life and Pontificate of Leo the Tenth, Volume 2G. Bell, 1885 |
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Page 13
... production , in which Fregoso is supposed to have satirically alluded to the conduct of the pope , in his negotiations with the king of France , and which has been considered as the manifesto of that monarch against Leo X. † it may be ...
... production , in which Fregoso is supposed to have satirically alluded to the conduct of the pope , in his negotiations with the king of France , and which has been considered as the manifesto of that monarch against Leo X. † it may be ...
Page 81
... productions of Raffaello d'Urbino , which have ever since been the theme of universal applause . The Roman citizens , who partook of the affluence the church , in a general abundance VOL . II . G of all the necessaries of life , re ...
... productions of Raffaello d'Urbino , which have ever since been the theme of universal applause . The Roman citizens , who partook of the affluence the church , in a general abundance VOL . II . G of all the necessaries of life , re ...
Page 85
... productions were calculated to bring the church into odium and disgrace , those of the celebrated Boccaccio were at least equally calculated to expose the priest- hood to ridicule and contempt . The debaucheries of the reli- gious of ...
... productions were calculated to bring the church into odium and disgrace , those of the celebrated Boccaccio were at least equally calculated to expose the priest- hood to ridicule and contempt . The debaucheries of the reli- gious of ...
Page 109
... productions in their native tongue . Among those few men of distinguished talents who , after having ornamented the academy of Naples , had survived the desolation of their country , and whose exertions contributed to the preservation ...
... productions in their native tongue . Among those few men of distinguished talents who , after having ornamented the academy of Naples , had survived the desolation of their country , and whose exertions contributed to the preservation ...
Page 112
... productions of the Italian drama , is founded on the story of " Giletta di Nerbona , " one of the novels of Boccaccio : but the scene is changed from France to Naples , and the name of Virginia was given by the author to his heroine in ...
... productions of the Italian drama , is founded on the story of " Giletta di Nerbona , " one of the novels of Boccaccio : but the scene is changed from France to Naples , and the name of Virginia was given by the author to his heroine in ...
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addressed afforded afterwards Alamanni Aleandro ancient appears Aretino Ariosto artist asserted authority Bembo Bibbiena Bologna Bramante cardinal celebrated character Charles Christian church Clement VII Colonna command conduct Count Bossi death distinguished dominions duchy of Urbino duke of Urbino ecclesiastical edition elector of Saxony elegance eminent endeavoured engaged engraved Erasmus favour Ferrara Flaminio Florence Florentine Fracastoro Francesco Francis French monarch frequently friends Giovanni Giuliano Giulio Guicciard Guicciardini History holy honour Ital Italian Italy Julius Julius II king labours Latin learned Leo X letter Lorenzo Luther Marc-Antonio Maximilian Medici Memoir ment Michel-Agnolo Milan NOTE numerous observed obtained occasion opinion papal person Piacenza Pietro poem poet pontiff pope Portrait printed published quod Raffaello Reformation respect Roman court Rome Sanazzaro scholars sovereign sufficient supposed Swiss talents Tebaldeo tion Tirab Trans Translated treaty Trissino troops Vasari Vatican Venetian Venice verses Vide Vita Leon Vittoria Colonna whilst writings
Popular passages
Page 467 - Freely they stood who stood, and fell who fell. Not free, what proof could they have given sincere Of true allegiance, constant faith, or love, Where only what they needs must do appear'd, Not what they would ? what praise could they receive ? What pleasure I from such obedience paid ? When will and reason, reason also is choice, Useless and vain, of freedom both despoil'd, Made passive both, had served necessity, Not me?