Lectures and Essays, Volume 1Macmillan and Company, limited, 1905 - 740 pages |
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Page ix
... marks of emphasis , in the guise of italics . I have spoken of these lectures as enforcing lessons , and the description will , I think , be allowed as on the whole a true one . For with all his sensitiveness to beauty of form and ...
... marks of emphasis , in the guise of italics . I have spoken of these lectures as enforcing lessons , and the description will , I think , be allowed as on the whole a true one . For with all his sensitiveness to beauty of form and ...
Page 11
... marks of the presence up and down of an inferior hand , or hands . By no surer method could he have mastered the secret of dramatic effectiveness , as he watched the effect of experiment after experiment upon audiences , and took to ...
... marks of the presence up and down of an inferior hand , or hands . By no surer method could he have mastered the secret of dramatic effectiveness , as he watched the effect of experiment after experiment upon audiences , and took to ...
Page 12
... mark the host of copyists who , in our own day , spring up on the appearance of a new form of art . There is no weakness , no vagueness , in the versification of Venus and Adonis . On the contrary , it came to the world , then as now ...
... mark the host of copyists who , in our own day , spring up on the appearance of a new form of art . There is no weakness , no vagueness , in the versification of Venus and Adonis . On the contrary , it came to the world , then as now ...
Page 21
... mark two things : that this exuberance is more subdued than in the earlier comedy ; and that it is less felt by the reader , because of the more abundant incident , and the quicker movement , of the dramas . We go on to notice that as ...
... mark two things : that this exuberance is more subdued than in the earlier comedy ; and that it is less felt by the reader , because of the more abundant incident , and the quicker movement , of the dramas . We go on to notice that as ...
Page 31
... marks of Shak- speare's growing experience , growing mind , and growing mastery over the resources of his art . For it is not by reading other critics , and other commentators , that we make ourselves good critics and commentators . It ...
... marks of Shak- speare's growing experience , growing mind , and growing mastery over the resources of his art . For it is not by reading other critics , and other commentators , that we make ourselves good critics and commentators . It ...
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Common terms and phrases
admirable Barbauld beauty better blank verse Burns Burns's called character Charles Lamb charm Church comedy Coriolanus Cowper critics doubt drama dramatist Edgeworth effect England English euphuism Falstaff familiar famous fancy fashion feel fiction genius Hamlet heart Henry Henry IV human humour humourist imagination imitation incidents interest lady language lectures literary literature live Lollard Lord Love's Labour's Lost Lyly Lyly's matter Merchant of Venice misanthropy Moor Park moral nature never novel once perhaps persons play poem poet poetic poetry Pope Popian popular prose reader remember rhyme Richard Lovell Edgeworth romance Romeo and Juliet satire scenes Scott Scottish sense sentiment Shak Shakspeare Shakspeare's Shakspearian Sir John Sir John Oldcastle stage stanza Stella story style sweet Swift taste things thought Timon tion true truth whole Winter's Tale words Wordsworth write written wrote young
Popular passages
Page 22 - See! how she leans her cheek upon her hand: O! that I were a glove upon that hand, That I might touch that cheek.
Page 370 - Life! I know not what thou art, But know that thou and I must part; And when, or how, or where we met, I own to me's a secret yet...
Page 85 - O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon ! daffodils, That come before the swallow dares, and take The winds of March with beauty ; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath...
Page 323 - O wert thou in the cauld blast, On yonder lea, on yonder lea, My plaidie to the angry airt, I'd shelter thee, I'd shelter thee : Or did misfortune's bitter storms Around thee blaw, around thee blaw, Thy bield should be my bosom, To share it a', to share it a'.
Page 311 - Burns seemed much affected by the print, or rather by the ideas which it suggested to his mind. He actually shed tears. He asked whose the lines were, and it chanced that nobody but myself remembered that they occur in a half-forgotten poem of Langhorne's, called by the unpromising title of
Page 373 - And she may still exist in undiminished vigour when some traveller from New Zealand shall, in the midst of a vast solitude, take his stand on a broken arch of London Bridge to sketch the ruins of St. Paul's.
Page 306 - What is title? What is treasure? What is reputation's care ? If we lead a life of pleasure 'Tis no matter how or where...
Page 71 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 320 - MORISON. 0 Mary ! at thy window be ! It is the wish'd, the trysted hour : Those smiles and glances let me see That make the miser's treasure poor ! How blithely wad I bide the stoure, A weary slave frae sun to sun, Could I the rich reward secure, The lovely Mary Morison ! Yestreen, when to the trembling string The dance gaed through the lighted ha', To thee my fancy took its wing ; I sat, but neither heard nor saw.
Page 223 - And to urge another argument of a parallel nature: if Christianity were once abolished, how could the Freethinkers, the strong reasoners, and the men of profound learning be able to find another subject so calculated in all points whereon to display their abilities ? What wonderful productions of wit should we be deprived of from those whose genius, by continual practice, hath been wholly turned upon raillery and invectives against religion, and would therefore never be able to shine or distinguish...