Lectures and Essays, Volume 1Macmillan and Company, limited, 1905 - 740 pages |
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Page x
... periods . Through all the lectures there runs the insist- ence upon what Ainger was accustomed to speak of as the genuine humanity of the great men of letters . If he is discussing style , he notices how true feeling and earnestness at ...
... periods . Through all the lectures there runs the insist- ence upon what Ainger was accustomed to speak of as the genuine humanity of the great men of letters . If he is discussing style , he notices how true feeling and earnestness at ...
Page 4
... periods of Shakspeare's life , which cannot be described by saying that one play is better than another - more beautiful in language , richer in wisdom , more skilful in construction , more exquisite in humour . One play is found to be ...
... periods of Shakspeare's life , which cannot be described by saying that one play is better than another - more beautiful in language , richer in wisdom , more skilful in construction , more exquisite in humour . One play is found to be ...
Page 5
... sentimentally ) the Spring , Summer , and Autumn of Shakspeare's creative faculty . died in 1616 , when little We know approximately Now the whole period within which these plays of Shakspeare THREE STAGES OF SHAKSPEARE'S ART 5.
... sentimentally ) the Spring , Summer , and Autumn of Shakspeare's creative faculty . died in 1616 , when little We know approximately Now the whole period within which these plays of Shakspeare THREE STAGES OF SHAKSPEARE'S ART 5.
Page 6
Alfred Ainger Henry Charles Meeching. Now the whole period within which these plays of Shakspeare were written is one approxi- mately of twenty - one years - from about 1591 to 1612. It is a period divisible by three , and gives us a ...
Alfred Ainger Henry Charles Meeching. Now the whole period within which these plays of Shakspeare were written is one approxi- mately of twenty - one years - from about 1591 to 1612. It is a period divisible by three , and gives us a ...
Page 20
... plays belonging to this first period are the Midsummer Night's Dream , be- tween 1591 and 1593 , and Romeo and Juliet , 1595 or 1596. Of these I can speak more briefly , for , owing to stage representations and other 20 LECTURES AND ESSAYS.
... plays belonging to this first period are the Midsummer Night's Dream , be- tween 1591 and 1593 , and Romeo and Juliet , 1595 or 1596. Of these I can speak more briefly , for , owing to stage representations and other 20 LECTURES AND ESSAYS.
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Common terms and phrases
admirable Barbauld beauty better blank verse Burns Burns's called character Charles Lamb charm Church comedy Coriolanus Cowper critics doubt drama dramatist Edgeworth effect England English euphuism Falstaff familiar famous fancy fashion feel fiction genius Hamlet heart Henry Henry IV human humour humourist imagination imitation incidents interest lady language lectures literary literature live Lollard Lord Love's Labour's Lost Lyly Lyly's matter Merchant of Venice misanthropy Moor Park moral nature never novel once perhaps persons play poem poet poetic poetry Pope Popian popular prose reader remember rhyme Richard Lovell Edgeworth romance Romeo and Juliet satire scenes Scott Scottish sense sentiment Shak Shakspeare Shakspeare's Shakspearian Sir John Sir John Oldcastle stage stanza Stella story style sweet Swift taste things thought Timon tion true truth whole Winter's Tale words Wordsworth write written wrote young
Popular passages
Page 22 - See! how she leans her cheek upon her hand: O! that I were a glove upon that hand, That I might touch that cheek.
Page 370 - Life! I know not what thou art, But know that thou and I must part; And when, or how, or where we met, I own to me's a secret yet...
Page 85 - O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon ! daffodils, That come before the swallow dares, and take The winds of March with beauty ; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath...
Page 323 - O wert thou in the cauld blast, On yonder lea, on yonder lea, My plaidie to the angry airt, I'd shelter thee, I'd shelter thee : Or did misfortune's bitter storms Around thee blaw, around thee blaw, Thy bield should be my bosom, To share it a', to share it a'.
Page 311 - Burns seemed much affected by the print, or rather by the ideas which it suggested to his mind. He actually shed tears. He asked whose the lines were, and it chanced that nobody but myself remembered that they occur in a half-forgotten poem of Langhorne's, called by the unpromising title of
Page 373 - And she may still exist in undiminished vigour when some traveller from New Zealand shall, in the midst of a vast solitude, take his stand on a broken arch of London Bridge to sketch the ruins of St. Paul's.
Page 306 - What is title? What is treasure? What is reputation's care ? If we lead a life of pleasure 'Tis no matter how or where...
Page 71 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 320 - MORISON. 0 Mary ! at thy window be ! It is the wish'd, the trysted hour : Those smiles and glances let me see That make the miser's treasure poor ! How blithely wad I bide the stoure, A weary slave frae sun to sun, Could I the rich reward secure, The lovely Mary Morison ! Yestreen, when to the trembling string The dance gaed through the lighted ha', To thee my fancy took its wing ; I sat, but neither heard nor saw.
Page 223 - And to urge another argument of a parallel nature: if Christianity were once abolished, how could the Freethinkers, the strong reasoners, and the men of profound learning be able to find another subject so calculated in all points whereon to display their abilities ? What wonderful productions of wit should we be deprived of from those whose genius, by continual practice, hath been wholly turned upon raillery and invectives against religion, and would therefore never be able to shine or distinguish...