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She sat her down, and with her head across,
Rush'd to the evil which she could not shun,
While a sad mew went knelling to her heart!

LISY'S PARTING WITH HER CAT.

THE dreadful hour with leaden pace approach'd,
Lash'd fiercely on by unrelenting fate,
When Lisy and her bosom Cat must part;
For now, to school and pensive needle doom'd,
She's banish'd from her childhood's undash'd joy,
And all the pleasing intercourse she kept
With her gray comrade, which has often soothed
Her tender moments, while the world around
Glow'd with ambition, business, and vice,
Or lay dissolved in sleep's delicious arms;
And from their dewy orbs the conscious stars
Shed on their friendly influence benign.

But see where mournful Puss, advancing, stood
With outstretch'd tail, casts looks of anxious wo
On melting Lisy, in whose eye the tear

ON THE HOOP.

THE hoop, the darling justly of the fair,
Of every generous swain deserves the care.
It is unmanly to desert the weak,
'Twould urge a stone, if possible, to speak;
To hear stanch hypocrites bawl out, and cry,
'This hoop's a whorish garb, fie! ladies, fie!'
O cruel and audacious men, to blast
The fame of ladies more than vestals chaste;
Should you go search the globe throughout,
You'll find none so pious and devout;

So modest, chaste, so handsome, and so fair,
As our dear Caledonian ladies are.
When awful beauty puts on all her charms,
Nought gives our sex such terrible alarms,

Stood tremulous, and thus would fain have said,
If nature had not tied her struggling tongue:
'Unkind, O! who shall now with fattening milk,
With flesh, with bread, and fish beloved, and meat, | As when the hoop and tartan both combine

Regale my taste? and at the cheerful fire,
Ah, who shall bask me in their downy lap?
Who shall invite me to the bed, and throw
The bedclothes o'er me in the winter night,
When Eurus roars? Beneath whose soothing hand
Soft shall I purr? But now, when Lisy's gone,
What is the dull officious world to me?

I loathe the thoughts of life:' thus plain'd the Cat,
While Lisy felt, by sympathetic touch,
These anxious thoughts that in her mind revolved,
And casting on her a desponding look,

She snatch'd her in her arms with eager grief,
And mewing, thus began:-O Cat beloved!
Thou dear companion of my tender years!
Joy of my youth! that oft has lick'd my hands
With velvet tongue ne'er stain'd by mouse's blood.
Oh, gentle Cat! how shall I part with thee?
How dead and heavy will the moments pass
When you are not in my delighted eye,
With Cubi playing, or your flying tail.
How harshly will the softest muslin feel,
And all the silk of schools, while I no more
Have your sleek skin to sooth my soften'd sense?
How shall I eat while you are not beside
To share the bit? How shall I ever sleep
While I no more your lulling murmurs hear?
Yet we must part-so rigid fate decrees-
But never shall your loved idea, dear,
Part from my soul, and when I first can mark
The embroider'd figure on the snowy lawn,
Your image shall my needle keen employ.
Hark! now I'm call'd away! O direful sound!
I come-I come, but first I charge you all-
You-you-and you, particularly you,
O Mary, Mary, feed her with the best,
Repose her nightly in the warmest couch,
And be a Lisy to her!'-Having said,

To make a virgin like a goddess shine.
Let quakers cut their clothes unto the quick,
And with severities themselves afflict;
But may the hoop adorn Edina's street,
Till the south pole shall with the northern meet.

STANZAS.

Written by Thomson on the blank leaf of a copy of his Seasons' sent by him to Mr. Lyttelton, soon after the death of his wife.

Go, little book, and find our Friend,

Who nature and the Muses loves,
Whose cares the public virtues blend

With all the softness of the groves.
A fitter time thou canst not choose,
His fostering friendship to repay;
Go then, and try, my rural muse,
To steal his widow'd hours away.

ON MAY.

AMONG the changing months, May stands confest
The sweetest, and in fairest colours drest!
Soft as the breeze that fans the smiling field;
Sweet as the breath that opening roses yield;
Fair as the colour lavish Nature paints
On Virgin flowers free from unodorous taints!-
To rural scenes thou tempt'st the busy crowd,
Who, in each grove, thy praises sing aloud!
The blooming belles and shallow beaux, strange
sight,

Turn nymphs and swains, and in their sports de-
light.

In ripening summer, the full laden vales

THE MORNING IN THE COUNTRY. Gives prospect of employment for the flails;
Each breath of wind the bearded groves makes
bend,

WHEN from the opening chambers of the east
The morning springs, in thousand liveries drest,
The early larks their morning tribute pay,
And, in shrill notes, salute the blooming day.
Refreshed fields with pearly dew do shine,
And tender blades therewith their tops incline.
Their painted leaves the unblown flowers expand,
And with their odorous breath perfume the land.
The crowing cock and chattering hen awakes
Dull sleepy clowns, who know the morning breaks.
The herd his plaid around his shoulders throws,
Grasps his dear crook, calls on his dog, and goes
Around the fold: he walks with careful pace,
And fallen clods sets in their wonted place;
Then opes the door, unfolds his fleecy care,
And gladly sees them crop their morning fare!
Down upon easy moss he lays,

And sings some charming shepherdess's praise.

ON A COUNTRY LIFE.*

I HATE the clamours of the smoky towns,
But much admire the bliss of rural clowns;
Where some remains of innocence appear,
Where no rude noise insults the listening ear;
Nought but soft zephyrs whispering through the
trees,

Or the still humming of the painful bees;
The gentle murmurs of a purling rill,
Or the unwearied chirping of the drill;
The charming harmony of warbling birds,
Or hollow lowings of the grazing herds;
The murmuring stock doves melancholy coo,
When they their loved mates lament or woo;
The pleasing bleatings of the tender lambs,
Or the indistinct mum'ling of their dams;
The musical discord of chiding hounds,
Whereto the echoing hill or rock resounds;
The rural mournful songs of lovesick swains,
Whereby they soothe their raging amorous pains;
The whistling music of the lagging plough,
Which does the strength of drooping beasts renew.
And as the country rings with pleasant sounds,
So with delightful prospects it abounds:
Through every season of the sliding year,
Unto the ravish'd sight new scenes appear.

In the sweet spring the sun's prolific ray
Does painted flowers to the mild air display;
Then opening buds, then tender herbs are seen,
And the bare fields are all array'd in green.

*This, and the two following poems, were written by Thom. son, when at the University, and were published in the Edinburgh Miscellany, 12mo 1720.

Which seems the fatal sickle to portend.

In Autumn, that repays the labourer's pains,
Reapers sweep down the honours of the plains.

Anon black Winter, from the frozen north,
Its treasuries of snow and hail pours forth;
Then stormy winds blow through the hazy sky,
In desolation nature seems to lie;
The unstain'd snow from the full clouds descends,
Whose sparkling lustre open eyes offends.
In maiden white the glittering fields do shine;
Then bleating flocks for want of food repine,
With wither'd eyes they see all snow around,
And with their fore feet paw and scrape the
ground:

They cheerfully do crop the insipid grass,
The shepherds sighing, cry, Alas! alas!
Then pinching want the wildest beast does tame;
Then huntsmen on the snow do trace their game;
Keen frost then turns the liquid lakes to glass,
Arrests the dancing rivulets as they pass.

How sweet and innocent are country sports,
And, as men's tempers, various are their sorts.
You, on the banks of soft meandering Tweed,
May in your toils ensnare the watery breed,
And nicely lead the artificial flee,*
Which, when the nimble, watchful trout does see,
He at the bearded hook will briskly spring;
Then in that instant twieth your hairy string
And, when he's hook'd, you, with a constant hand,
May draw him struggling to the fatal land.

Then at fit seasons you may clothe your hook,
With a sweet bait, dress'd by a faithless cook;
The greedy pike darts to't with eager haste,
And being struck, in vain he flies at last;
He rages, storms, and flounces through the stream,
But all, alas! his life can not redeem.

At other times you may pursue the chase,
And hunt the nimble hare from place to place.
See, when the dog is just upon the grip,
Out at a side she'll make a handsome skip,
And ere he can divert his furious course,
She, far before him, scours with all her force:
She'll shift, and many times run the same ground;
At last, outwearied by the stronger hound,
She falls a sacrifice unto his hate,

And with sad piteous screams laments her fate.

See how the hawk doth take his towering flight,
And in his course outflies our very sight,
Bears down the fluttering fowl with all his might.
See how the wary gunner casts about,
Watching the fittest posture when to shoot:
Quick as the fatal lightning blasts the oak,
He gives the springing fowl a sudden stroke;

* Anglice, fly

He pours upon't a shower of mortal lead,
And ere the noise is heard the fowl is dead.
Sometimes he spreads his hidden subtle snare,
Of which the entangled fowl was not aware;
Through pathless wastes he doth pursue his sport,
Where nought but moor-fowl and wild beasts re-

sort.

When the noon sun directly darts his beams
Upon your giddy heads, with fiery gleams,
Then you may bathe yourself in cooling streams;
Or to the sweet adjoining grove retire,
Where trees with interwoven boughs conspire
To form a grateful shade;-there rural swains
Do tune their oaten reeds to rural strains;
The silent birds sit listening on the sprays,
And in soft charming notes do imitate their lays.
There you may stretch yourself upon the grass,
And, lull'd with music, to kind slumbers pass:
No meagre cares your fancy will distract,
And on that scene no tragic fears will act;
Save the dear image of a charming she,
Nought will the object of your vision be.
Away the vicious pleasures of the town;
Let empty partial fortune on me frown;
But grant, ye powers, that it may be my lot
To live in peace from noisy towns remote.

ON HAPPINESS.

WARM'D by the summer sun's meridian ray,
As underneath a spreading oak I lay
Contemplating the mighty load of wo,
In search of bliss that mortals undergo,
Who, while they think they happiness enjoy,
Embrace a curse wrapt in delusive joy,
I reason'd thus: Since the Creator, God,
Who in eternal love makes his abode,
Hath blended with the essence of the soul
An appetite as fixed as the pole,
That's always eager in pursuit of bliss,
And always veering till it points to this,
There is some object adequate to fill
This boundless wish of our extended will.
Now, while my thought round nature's circle runs
(A bolder journey than the furious sun's)
This chief and satiating good to find
The attracting centre of the human mind,
My ears they deafen'd, to my swimming eyes
His magic wand the drowsy God applies,
Bound all my senses in a silken sleep,
While mimic fancy did her vigils keep;
Yet still methinks some condescending power
Ranged the ideas in my mind that hour.
Methought I wandering was, with thousands

more,

Beneath a high prodigious hill, before,
Above the clouds whose towering summit rose,
With utmost labour only gained by those

Who groveling prejudices throw away,
And with incessant straining climb'd their way;
Where all who stood their failing breath to gain,
With headlong ruin tumbled down the main.
This mountain is through every nation famed,
And, as I learned, Contemplation named.
O happy me! when I had reach'd its top
Unto my sight a boundless scene did ope.

First, sadly I survey'd with downward eye,
Of restless men below the busy fry,
Who hunted trifles in an endless maze,
Like foolish boys, on sunny summer days,
Pursuing butterflies with all their might,
Who can't their troubles, in the chase requite.
The painted insect, he who most admires,

| Grieves most when it in his rude hand expires;
Or should it live, with endless fears is toss'd,
Lest it take wing and be for ever lost.

Some men I saw their utmost art employ
How to attain a false deceitful joy,
Which from afar conspicuously did blaze,
And at a distance fixed their ravish'd gaze,
But nigh at hand it mock'd their fond embrace.
When lo! again it flashed in their eyes,

But still, as they drew near, the fond illusion dies.
Just so I've seen a water-dog pursue
An unflown duck within his greedy view,
When he has, panting, at his prey arrived,
The coxcomb fooling-suddenly it dived;
He, gripping, is almost with water choked,
And grieves that all his towering hopes are mock'd
Then it emerges, he renews his toil,
And o'er and o'er again he gets the foil.
Yea, all the joys beneath the conscious sun,
And softer ones that his inspection shun,
Much of their pleasures in fruition fade.
Enjoyment o'er them throws a sullen shade.
The reason is, we promise vaster things
And sweeter joys than from their nature springs:
When they are lost, we weep the apparent bliss,
And not what really in Fruition is;

So that our griefs are greater than our joys,
And real pain springs from fantastic toys.

Though all terrene delights of men below
Are almost nothing but a glaring show;
Yet if there always were a virgin joy
When t'other fades to sooth the wanton boy,
He somewhat might excuse his heedless course,
Some show of reason for the same enforce:
But frugal nature wisely does deny
To mankind such profuse variety;
Has what is needful only to us given,
To feed and cheer us in the way to Heaven;
And more would but the traveller delay,
Impede and clog him in his upward way.

I from the mount all mortal pleasures saw
Themselves within a narrow compass draw:
The libertine a nauseous circle run,
And dully acted what he'd often done.

Just so when Luna darts her silver ray,
And pours on silent earth a paler day:
From Stygian caves the flitting fairies scud,
And on the margent of some limpid flood,
Which by reflected moonlight darts a glance,
In midnight circles range themselves and dance.

To-morrow, cries he, will us entertain:
Pray what's to-morrow but to-day again?
Deluded youth, no more the chase pursue,
So oft deceived, no more the toil renew.
But in a constant and a fix'd design
Of acting well there is a lasting mine
Of solid satisfaction, purest joy,
For virtue's pleasures never, never cloy:
Then hither come, climb up the steep ascent,
Your painful labour you will ne'er repent,
From Heaven itself here you're but one remove,
Here's the præludium of the joys above,
Here you'll behold the awful Godhead shine,
And all perfections in the same combine;
You'll see that God, who, by his powerful call,
From empty nothing drew this spacious all,
Made beauteous order the rude mass control
And every part subservient to the whole;
Here you'll behold upon the fatal tree
The God of Nature bleed, expire, and die,
For such as 'gainst his holy laws rebel,
And such as bid defiance to his hell.

For ever open to the ravish'd view,
And full enjoyment of the radiant crew,
Who live in raptures of eternal joy,
Whose flaming love their tuneful harps employ
In solemn hymns Jehovah's praise to sing,
And make all heaven with hallelujahs ring.

These realms of light no further I'll explore
And in these heights I will no longer soar:
Not like our grosser atmosphere beneath,
The ether here's too thin for me to breathe.
The region is unsufferable bright,

And flashes on me with too strong a light.
Then from the mountain, lo! I now descend,
And to my vision put a hasty end.

VERSES ON RECEIVING A FLOWER
FROM HIS MISTRESS.
MADAM, the flower that I received from you,
Ere it came home had lost its lovely huc:
As flowers deprived of the genial day,
Its sprightly bloom did wither and decay;
Dear fading flower, I know full well, said I,
The reason why you shed your sweets and die;
You want the influence of her enlivening eye.
Your case is mine-Absence, that plague of love'
With heavy pace makes every minute move:
It of my being is an empty blank,

Through the dark gulf here you may clearly pry And hinders me myself with men to rank;

'Twixt narrow Time and vast Eternity.
Behold the Godhead just, as well as good,
And vengeance pour'd on tramplers on his blood:
But all the tears wiped from his people's eyes,

Your cheering presence quickeneth me again,
And new-sprung life exults in every vein.

And, for their entrance, cleave the parting skies. PROLOGUE TO TANCRED AND SIGIS

Then sure you will with holy ardours burn,
And to seraphic heats your passion turn;
Then in your eyes all mertal fair will fade,
And leave of mortal beauties but the shade;
Yourself to him you'll solemnly devote,
To him without whose providence you're not;
You'll of his service relish the delight,
And to his praises all your powers excite;
You'll celebrate his name in heavenly sound,
Which well pleased skies in echoes will rebound;
This is the greatest happiness that can
Possessed be in this short life by man.

But darkly here the Godhead we survey,
Confined and cramped in this cage of clay.
What cruel band is this to earth that ties
Our souls from soaring to their native skies?
Upon the bright eternal face to gaze,
And there drink in the beatific rays:
There to behold the good one and the fair,
A ray from whom all mortal beauties are?
In beauteous nature all the harmony
Is but the echo of the Deity,

Of all perfection who the centre is,

And boundless ocean of untainted bliss;

MUNDA.

Bold is the man! who, in this nicer age,
Presumes to tread the chaste corrected stage.
Now, with gay tinsel arts we can no more
Conceal the want of Nature's sterling ore.
Our spells are vanish'd, broke our magic wand,
That used to waft you over sea and land.
Before your light the fairy people fade,
The demons fly-the ghost itself is laid.
In vain of martial scenes the loud alarms,
The mighty prompter thundering out to arms,
The playhouse posse clattering from afar,
The close-wedged battle and the din of war.
Now, e'en the senate seldom we convene:
The yawning fathers nod behind the scene.
Your taste rejects the glittering false sublime,
To sigh in metaphor, and die in rhyme.
High rant is tumbled from his gallery throne:
Description dreams-nay, similies are gone.

What shall we then? to please you how devise
Whose judgment sits not in your ears and eyes?
Thrice happy! could we catch great Shakspeare's
art,

To trace the deep recesses of the heart;

His simple plain sublime, to which is given
To strike the soul with darted flame from heaven;
Could we awake soft Otway's tender wo,
The pomp of verse, and golden lines of Rowe.

We to your hearts apply; let them attend; Before their silent candid bar we bend. If warm'd, they listen, 'tis our noblest praise; If cold, they wither all the Muse's bays.

EPILOGUE TO AGAMEMNON.

OUR bard, to modern epilogue a foe,
Thinks such mean birth but deadens generous wo;
Dispels in idle air the moral sigh,

And wipes the tender tear from Pity's eye;
No more with social warmth the bosom burns;
But all the unfeeling man returns.*

Thus he began:-And you approved the strain Till the next couplet sunk to light and vain.

EPILOGUE TO TANCRED AND SIGIS- You check'd him there.-To you, to reason just,

MUNDA.

CRAMM'D to the throat with wholesome moral

stuff,

Alas! poor audience! you have had enough.
Was ever hapless heroine of a play

In such a piteous plight as ours to-day?
Was ever woman so by love betray'd?
Match'd with two husbands, and yet-die a maid.
But bless me!-hold-What sounds are these I

hear!

I see the Tragic Muse herself appear.

The back scene opens, and discovers a romantic sylvan landscape; from which Mrs. Cibber, in the character of the Tragic Muse, advances slowly to music, and speaks the following lines:

Hence with your flippant epilogue that tries To wipe the virtuous tear from British eyes; That dares my moral, tragic scene profane With strains-at best, unsuiting, light and vain. Hence from the pure unsullied beams that play In yon fair eyes where virtue shines-Away!

Britons, to you from chaste Castalian groves, Where dwell the tender, oft unhappy loves! Where shades of heroes roam, each mighty name, And court my aid to rise again to fame: To you I come, to Freedom's noblest seat, And in Britannia fix my last retreat.

He owns he triumph'd in your kind disgust. Charm'd by your frown, by your displeasure

graced,

He hails the rising virtue of your taste.
Wide will its influence spread as soon as known.
Truth, to be loved, needs only to be shown.
Confirm it, once, the fashion to be good:
(Since fashion leads the fool, and awes the rude)
No petulance shall wound the public ear;
No hand applaud what honour shuns to hear:
No painful blush the modest cheek shall stain;
The worthy breast shall heave with no disdain.
Chastised to decency, the British stage
Shall oft invite the fair, invite the sage:
Both shall attend well pleased, well pleased de-
part;

Or if they doom the verse, absolve the heart.

PROLOGUE TO MALLET'S MUSТАРНА.

SINCE Athens first began to draw mankind,
To picture life, and show the impassion'd mind;
The truly wise have ever deem'd the stage
The moral school of each enlighten'd age.
There, in full pomp, the tragic Muse appears,
Queen of soft sorrows, and of useful fears.
Faint is the lesson reason's rules impart :

In Greece and Rome, I watch'd the public weal, She pours it strong, and instant through the heart.

The purple tyrant trembled at my steel:

Nor did I less o'er private sorrows reign,
And mend the melting heart with softer pain.
On France and you then rose my brightening star,
With social ray-The arts are ne'er at war.
O, as your fire and genius stronger blaze,
As yours are generous Freedom's bolder lays,
Let not the Gallic taste leave yours behind,
In decent manners and in life refined;
Banish the motley mode to tag low verse,
The laughing ballad to the mournful hearse.
When through five acts your hearts have learnt to
glow,

Touch'd with the sacred force of honest wo;
O keep the dear impression on your breast,
Nor idly loose it for a wretched jest.

If virtue is her theme, we sudden glow
With generous flame; and what we feel, we grow.
If vice she paints, indignant passions rise;
The villain sees himself with loathing eyes.
His soul starts, conscious, at another's groan,
And the pale tyrant trembles on his throne.

To-night, our meaning scene attempts to show What fell events from dark suspicion flow; Chief when it taints a lawless monarch's mind, To the false herd on flattering slaves confined.

⚫Thomson observes, "Another epilogue was spoken after the first representation of the play, which began with the first six lines of this; but the rest of that epilogue having been very justly disliked by the audience, this was substituted in its place."

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