A Guide to the Department of Greek and Roman Antiquities in the British MuseumTrustees of the British Museum, 1912 - 256 pages |
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Page 2
... excavations of Dr. Schliemann at Mycenae , as the ' Mycenaean Period . ' It was the time of a well - marked culture which is now known to have been widely spread through Greece and the regions adjacent , especially Crete and the islands ...
... excavations of Dr. Schliemann at Mycenae , as the ' Mycenaean Period . ' It was the time of a well - marked culture which is now known to have been widely spread through Greece and the regions adjacent , especially Crete and the islands ...
Page 12
... excavations of 1901 makes it probable that the patron deity of the temple was a local goddess , Aphaia , having affinities with Artemis . The Aeginetan sculptures belong to the latest stage of archaic Greek art , and are the most ...
... excavations of 1901 makes it probable that the patron deity of the temple was a local goddess , Aphaia , having affinities with Artemis . The Aeginetan sculptures belong to the latest stage of archaic Greek art , and are the most ...
Page 20
... excavations . Model of the Parthenon . The model was made by R. C. Lucas , on a scale of a foot to 20 feet , and represents the state of the temple in 1687 , after the explosion , but before Morosini had attacked the west pediment ...
... excavations . Model of the Parthenon . The model was made by R. C. Lucas , on a scale of a foot to 20 feet , and represents the state of the temple in 1687 , after the explosion , but before Morosini had attacked the west pediment ...
Page 38
... excavations on the Acropolis , is admirably perfect . The left hand raises a mass of the hair as if to fasten it in a coil . The head was broken off at an early period and built into a wall , and thus escaped the mutilations suffered by ...
... excavations on the Acropolis , is admirably perfect . The left hand raises a mass of the hair as if to fasten it in a coil . The head was broken off at an early period and built into a wall , and thus escaped the mutilations suffered by ...
Page 55
... excavations which were completed in the following E N 10 5 9 10 20 30 40 Feet S year . Fig . 33. - Plan of the Temple of Apollo at Phigaleia . The sculptures found were purchased for the British Museum by the Government in 1814 . The ...
... excavations which were completed in the following E N 10 5 9 10 20 30 40 Feet S year . Fig . 33. - Plan of the Temple of Apollo at Phigaleia . The sculptures found were purchased for the British Museum by the Government in 1814 . The ...
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Acropolis Amazon Amphora Aphroditè Apollo archaic Artemis artist Athenian Athens Attic black-figure British Museum bronze bust Carrey cast Centaur collection colour column combat Compare contains Cyprus decoration dedicated deities Dionysos drapery drawing early east Egyptian Elgin engraved Enkomi Ephesus Etruscan Euphronios examples excavations exhibited fifth century B.C. figure fragments frieze gems goddess gold Graeco-Roman Room Greek Greek and Roman ground Halicarnassos hand head Heracles Hermes horses Hydria Ialysos incised inscribed inscription kylikes Kylix Lapith later lekythos lion Lycia Maenads marble Mausoleum metopes moulds Mycenaean Mycenaean period Naucratis objects original ornaments painted palmette Parthenon Pedestal pediment period Pheidias Plate portrait Poseidon pottery probably red-figure vases relief represented restored sarcophagus Satyrs scarabs scene sculptures seated sepulchral shown shows side silver slabs Standard-case statue statuettes style subjects Table-case tablet temple terracotta tomb Vase Room Victory votive Wall-cases ware west pediment winged Zeus
Popular passages
Page 131 - The composition is supposed to represent, on the obverse, the meeting of Peleus and Thetis on Mount Pelion, and on the reverse, Thetis consenting to be the bride of Peleus. in the presence of Poseidon and Eros. On the bottom of the vase, which is detached, is a bust of Atys.
Page 75 - Peter in 1846, and four more were discovered in 1856—57 on the site of the Mausoleum. One other slab of this frieze, No. 1022, was formerly in the Villa di Negro at Genoa, to which place it was probably transported from Budrum by one of the Knights of St. John, some time in the fifteenth or early in the sixteenth century, and was purchased from the Marchese Serra in 1865. The entire length of these slabs is 85 feet 9 inches, the height 2 feet llf inches; they all represent combats of Greeks and...
Page 112 - he was the first, and, saving his colleague and successor Aurelius, the only one of the emperors who devoted himself to the task of government with a single view to the happiness of his people.
Page 50 - ... modulation of the veins, he has taken away all look of flatness from the necks. He has drawn the eyes and nostrils with dark incision, careful as the finest touches of a painter's pencil ; and then, at last, when he comes to the manes, he has let fly hand and chisel with their full force ; and where a base workman (above all, if he had modelled the thing in clay first...
Page 109 - Room (p. 54), and a comparison of the two figures gives a clear idea of the difference between Greek and Graeco-Roman art. The graceful spontaneity of the Greek maiden is in striking contrast with the formal convention of her Graeco-Roman counterpart. To the right of the room are the following in order : — 1656.
Page 122 - UPPER FLOOR. ROOM OF TERRACOTTAS.* SUBJECT :- GREEK AND ROMAN WORKS IN TERRACOTTA. The specimens in this room illustrate the art of working in terracotta (that is, ' baked clay ') as practised by the Greeks and Romans from the beginning of Greek art onwards to the time of the Roman Empire. As might be expected from the nature of the material and the small scale of most of the works with which we are concerned, the terracottas show a slighter and often more playful manner, when compared with the formal...
Page 22 - It is, however, still pervaded by a certain grave dignity and simplicity which is wanting in the more sensuous, more florid, or more conventional works of a later time.
Page 146 - A girl writing on tablets. Row d. (466.) A scarab with a wild goose flying ; very finely and delicately engraved. Scarabaeoid, winged River-god ; an early work in a minute and formal manner. Case X 41-43. Selected Graeco-Roman. gems, produced by Greek engravers working in Rome towards the end of the Republic and in the first centuries of the Empire. The 'subjects are mainly mythological. The favourite material is the sard, in tints varying from pale yellow to orange red. Other stones used less frequently...
Page 116 - AIP 37. Epitaph in elegiac verse, on Athenians who fell in battle before Potidaea. Potidaea was a town in the Thracian peninsula, and tributary to Athens. With the help of Corinth it revolted in the summer of 432 BC The Athenians sent an expedition to Potidaea, which gained a victory ; but only with the loss of the commander Callias and 150 men, who are here commemorated [Thucyd. i. 63 ; Grote, vol. iv. chap. 47]. The Peloponnesian war was an immediate consequence of the Potidaean campaign. After...
Page 151 - ... are galloping in the air, and Victory holds out a wreath. Below are a couch, a table with food, an altar, and two worshippers. Among the dedications are fragments of a large vase of black ware inscribed with a dedication by one Phanes, who appears to be the person of whom Herodotus (iii., 4 and...