The alliance of musick, poetry & oratoryJohn Stockdale, 1789 - 390 pages |
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Page 79
... alliance only with mufick , under the term Profody , that is , the art of metrical numbers , or verfification , com- prehending more especially these three par- ticulars , } Accent , Quantity and Feet , to which may { 79 ] POETRY. ...
... alliance only with mufick , under the term Profody , that is , the art of metrical numbers , or verfification , com- prehending more especially these three par- ticulars , } Accent , Quantity and Feet , to which may { 79 ] POETRY. ...
Page 80
Anselm Bayly. } Accent , Quantity and Feet , to which may be added Rythm . Accent prescribes the various elevation and depreffion of the voice , to be made upon certain fyllables , and answers to tones in mufick ; quantity ascertains the ...
Anselm Bayly. } Accent , Quantity and Feet , to which may be added Rythm . Accent prescribes the various elevation and depreffion of the voice , to be made upon certain fyllables , and answers to tones in mufick ; quantity ascertains the ...
Page 81
... accent , or strike it too forcibly , and by these means destroy quantity , or confound it with emphasis ; but when this is not the cafe , that accents , quantity and emphafis are very distinct properties , there can be no doubt , and a ...
... accent , or strike it too forcibly , and by these means destroy quantity , or confound it with emphasis ; but when this is not the cafe , that accents , quantity and emphafis are very distinct properties , there can be no doubt , and a ...
Page 82
Anselm Bayly. reafon " -But how can there be mufick without accents , that is , tones ? Indeed thefe tones are fo very minute and various in their degrees of elevation and depreffion , that it is impoffible to fpccify them by any ...
Anselm Bayly. reafon " -But how can there be mufick without accents , that is , tones ? Indeed thefe tones are fo very minute and various in their degrees of elevation and depreffion , that it is impoffible to fpccify them by any ...
Page 83
... accent is frequently misplaced , the em- phafis improperly given , and quantity de- ftroyed , both by the compofer and finger , to the confufion of metrical numbers and their pleasure . The Italians and French are much more delicate in ...
... accent is frequently misplaced , the em- phafis improperly given , and quantity de- ftroyed , both by the compofer and finger , to the confufion of metrical numbers and their pleasure . The Italians and French are much more delicate in ...
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Common terms and phrases
accent Achilles Æneas Æneid againſt Agamemnon agreeable alfo almoſt alſo anger anſwer appogiatura becauſe beſt Calchas called cauſe cloſe compofition confonants dactyles defcribed defcription divifions earth Engliſh epic eſpecially evil expreffed faid fame fays feems felf fenfe fentence ferve feven fhall fhort fhould fimple finging fingle firft firſt foft fome fpeaker fpeaking fpeech ftand ftop fubject fuch fuppofe fyllables graces Grecian Greek hath heaven Hector hero himſelf Homer Homer and Virgil human voice iambick Iliad inftruction inftrument inſtead Jupiter juſt language laſt Latin lefs meaſure Milton Mofes moft moſt mufe mufick muſt nature numbers obferved occafions paffions Patroclus perfon plain pleaſing pleaſure poem poet poetry praiſe prayer prefent Priam profe purpoſe Quintilian raiſe reader reafon ſays ſenſe ſhake ſhall ſhort ſpeaking Spondee ſtop taſte thee thefe themſelves theſe thofe thoſe thou tion tones triphthongs trochee Trojan underſtanding uſe verfe verſe Virgil voice vowels wiſdom words
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