The Sculptures of the ParthenonJ. Murray, 1903 - 173 pages |
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Page 16
... indicate the permanent effects of the momentary dispute of the deities on the district in question - that is , Attica . The produce of the land , es- pecially olive - growing , was to be supreme over sea - faring . It was what would now ...
... indicate the permanent effects of the momentary dispute of the deities on the district in question - that is , Attica . The produce of the land , es- pecially olive - growing , was to be supreme over sea - faring . It was what would now ...
Page 17
... indicate sudden surprise . The horses of Athenè were lost through Morosini's attempt to lower them , and we cannot now say from Carrey's drawings whether their ears also had been pricked forward . It would almost seem not . The ...
... indicate sudden surprise . The horses of Athenè were lost through Morosini's attempt to lower them , and we cannot now say from Carrey's drawings whether their ears also had been pricked forward . It would almost seem not . The ...
Page 19
... indicate the pool of brackish water which Poseidon had just struck ? In our view the two contending deities were conceived as invisibly present on the Acropolis beside the actual olive tree and pool which they had created . ' Their ...
... indicate the pool of brackish water which Poseidon had just struck ? In our view the two contending deities were conceived as invisibly present on the Acropolis beside the actual olive tree and pool which they had created . ' Their ...
Page 20
... indicate a separation between the divine beings , by nature invisible , and the local beings . But it may mean also a separation in space . It is now agreed that the figures B , C , D , E , F , in the left wing are Cecrops and his three ...
... indicate a separation between the divine beings , by nature invisible , and the local beings . But it may mean also a separation in space . It is now agreed that the figures B , C , D , E , F , in the left wing are Cecrops and his three ...
Page 25
... indicating the localities of his great compositions . In late Greek and Roman art the presence of river - gods at the extremities 1 Meisterwerke , p . 241 . E of a composition is employed to localise a scene , ANGLE GROUPS 25.
... indicating the localities of his great compositions . In late Greek and Roman art the presence of river - gods at the extremities 1 Meisterwerke , p . 241 . E of a composition is employed to localise a scene , ANGLE GROUPS 25.
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Common terms and phrases
Acropolis Acropolis of Athens action Alcamenes angle Aphroditè apobates appear artistic Athenè Athenians attitude beauty birth of Athenè body British Museum Carrey's drawing carry cast Cecrops Centaur Centaurs and Lapiths central group central metopes centre chariot chariot group chiton colossal composition cows deities drapery east frieze effect Elgin Room Ergastinae figure folds fore leg front girls goddess gods gold and ivory Greek head helmet Hephaestos Hera horses Ilissos instances knee Lapith left arm left hand long sides Lord Elgin mantle marble Michaelis nearer north frieze north side nude form Olympia Olympos original in Athens Parthenon frieze Pausanias pediment of Olympia peplos Pheidias PLATE Poseidon possible present procession raised recognise represent right arm right hand scene sculptured seated seen shield shoulders Slab south metopes south side spectator temple Theseus turning round vase west frieze west pediment whole wings woman women xoanon youth Zeus at Olympia