The Sculptures of the Parthenon |
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Page 47
But the moment we look a little further towards the back of the figure we come
upon folds which are merely blocked out in the roughest manner . How far this
sudden change from utmost beauty of detail to general negligence was due to
haste ...
But the moment we look a little further towards the back of the figure we come
upon folds which are merely blocked out in the roughest manner . How far this
sudden change from utmost beauty of detail to general negligence was due to
haste ...
Page 64
Accordingly , when we look at the series as a whole , they seem to throw
themselves into pairs set back to back ( 1 , 2 ) , or face to face ( 2 , 3 ) , while
again two groups may be regarded as following one after the other ( 3 , 4 ) . Nos .
4 , 5 again ...
Accordingly , when we look at the series as a whole , they seem to throw
themselves into pairs set back to back ( 1 , 2 ) , or face to face ( 2 , 3 ) , while
again two groups may be regarded as following one after the other ( 3 , 4 ) . Nos .
4 , 5 again ...
Page 75
Compare , for instance , the Lapith torso , of 31 , 32 , the former laboriously
rendered , with the result that it looks hard and formal ; the other generalised ,
with the result that it looks full of life . The metopes of the other sides ,
unfortunately in ...
Compare , for instance , the Lapith torso , of 31 , 32 , the former laboriously
rendered , with the result that it looks hard and formal ; the other generalised ,
with the result that it looks full of life . The metopes of the other sides ,
unfortunately in ...
Page 80
In four of the metopes we find a chariot group of two " horses and a charioteer ,
but in each case there is no combatant as we expect . He must be somewhere
near . On all analogy he should be in front . We therefore look for him in the next ...
In four of the metopes we find a chariot group of two " horses and a charioteer ,
but in each case there is no combatant as we expect . He must be somewhere
near . On all analogy he should be in front . We therefore look for him in the next ...
Page 81
therefore look for him in the next metope in front . In effect we find him so in each
case . Accordingly we have four instances in which two contiguous metopes form
one group as regards subject , i.e. 5 and 6 , 7 and 8 , 9 and 10 , 13 and 14.
therefore look for him in the next metope in front . In effect we find him so in each
case . Accordingly we have four instances in which two contiguous metopes form
one group as regards subject , i.e. 5 and 6 , 7 and 8 , 9 and 10 , 13 and 14.
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Common terms and phrases
Acropolis action already angle appear artistic Athens attitude beauty birth body British Museum called Carrey's drawing carry cast Centaur central centre chariot close compared composition cows deities detail drapery east effect equally existing extreme face fact feet figure folds foot fragment frieze front girls give goddess gods gold Greek hand head holding horse indicate instances ivory Lapith left arm left hand legs less light look manner mantle marble metopes natural nearer north frieze notice nude Olympia original Parthenon pass Pheidias PLATE Poseidon possible present procession question raised recognise regards relief remains represent right hand round scene sculptured seated seems seen separate shield shoulders side Slab space standing statue suggested supposed temple turning vase west pediment whole wings woman women young youth Zeus
Bibliographic information
| Title | The Sculptures of the Parthenon |
| Author | Alexander Stuart Murray |
| Publisher | J. Murray, 1903 |
| Original from | the University of Wisconsin - Madison |
| Digitized | 13 Jan 2009 |
| Length | 173 pages |
| Export Citation | BiBTeX EndNote RefMan |